{"id":4383,"date":"2022-05-20T13:30:29","date_gmt":"2022-05-20T13:30:29","guid":{"rendered":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/?page_id=4383"},"modified":"2022-11-08T21:26:08","modified_gmt":"2022-11-08T21:26:08","slug":"nikolai-anisimov","status":"publish","type":"page","link":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/en\/nikolai-anisimov\/","title":{"rendered":"Nikolai Anisimov<\/strong>"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"anisimov\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Nikolai Anisimov<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Born on 23. 12. 1989 in Udmurtia, Udmurt folklorist, researcher on Udmurt folk culture, and famous Udmurt singer. From 06.2017 on, he works at the Estonian Literary Museum in Tartu, where he is researcher at the department of folkloristics. His main research themes are the Udmurt communication with the dead, the Udmurt song tradition and the religious practice of the Eastern Udmurt.<\/p>

Education
<\/strong>He received his MA at the Udmurt state University in Izhevsk at the Faculty of Philology in 2012, with a thesis in folkloristics. He could immediately become a doctoral student at the University of Tartu (Estonia) at the department of Estonian and comparative Folkloristics He defended his PhD thesis in 2017, with a dissertation called «The dialogue between the worlds» in the mould of the Udmurt\u2019s communicative behaviour. The dissertation investigates the Udmurt funeral and commemorative rituals, and communication with the world beyond and with the dead in particular. His work relies on ten years of intensive fieldwork. Beyond fieldwork, he published many scientific articles and presented the results of his investigations in international conferences and congresses.<\/p>

He started in 2017 to investigate the religious practice of the Eastern Udmurt within a French IUF project.<\/p>

Another direction in Anisimov\u2019s scientific research is the investigation of the Udmurt song culture: he has already published two collections of folksongs, in cooperation with the Udmurt musicologists:<\/p>

Tunes of Tigyrmen<\/em>, the song repertoire of two villages in the Kiyasovo district (2011) and Songs of the Southern Udmurt<\/em> (electronic version 2015, paper version 2018, second completed edition 2020).<\/p>

The singer
<\/strong>Nikolay Anisimov grew up in a singing environment and he sings folk songs since childhood.<\/p>

As a youngster, he received high assessments in singing contests. He started by interpreting songs composed by others, but later he composed his own songs and presented them on stage. He is very much appreciated, and he is well known in all Udmurt villages.<\/p>

In his repertoire, we may identify the following directions:<\/p>

— Songs translated from Tatar: as his village is practically on the border between Udmurtia and Tatarstan, he is acquainted from childhood with the Tatar singing culture, which has inspired him deeply. His first hit, which made him famous, was a Tatar song \u201cDon\u2019t split\u201d, in Udmurt \u00ab\u042d\u043d \u043b\u044e\u043a\u0438\u0441\u044c\u043a\u0435\u00bb;<\/p>

— modern versions of folk songs, for example the so called, chastushki, or «takmak» by the southern Udmurt, humorous four strophes;<\/p>

— his own creation, with such themes as the joy of singing, his native village or region, friendship, love. Sometimes he write his texts himself, sometimes they are written by Udmurt poets, or in cooperation with them.<\/p>

Anisimov\u2019s songs are characterised by rich melodies. Many of them have been adopted by the Udmurt, who sing them in villages, and many have become, or are becoming, folk songs.<\/p>

He discovered the Bashkortostan Udmurt singer Alyona Timerkhanova with whom he made the CD called «The seasons of life» (in Udmurt: \u0423\u043b\u043e\u043d \u0434\u0430\u0443\u0440\u044a\u0451\u0441) (2016). He regularly performs with a group of Udmurt artists in front of an audience coming from all generations.<\/p>

In 2014, with Estonian musician Toivo S\u00f5mer and Udmurt singer Maria Korepanova, (PhD from Tallinn Academy of Music and specialist of Besermyan song) the started the project AR-GOD. The trio performs mainly Udmurt folk songs, usually collected by the singers themselves. AR-GOD performs at festivals in Estonia and abroad. They published their first CD in 2017.<\/p>

In Estonia, he presents the Udmurt culture to a wider audience in lectures, workshops about Udmurt games, songs, dances, cuisine\u2026 and held Udmurt language courses at the University of Tartu. He organises Udmurt concerts in which he sometimes performs alone or with other Udmurts. Since 2012, he is a member of the Udmurt folk ensemble Yumshan Gur and performed with them in many places. He participates in the Days of the Kindred peoples in different Estonian towns, in the Seto region and even in Latvia, in Riga.<\/p>

Publications<\/h4>

RUS\u00a0<\/em>= in Russian
ENG\u00a0<\/em>= in English
EST\u00a0<\/em>= in Estonian
FRA\u00a0<\/em>= in French
UDM<\/em>\u00a0= in Udmurt
Anisimov = scientific article<\/em>
Anisimov = book
<\/strong>Anisimov \u00a0= popularisation article
<\/u>Anisimov = scientific article about the Eastern Udmurt<\/span><\/p>

2021<\/strong><\/span><\/p>

Anisimov, Nikolai (2021). \u041f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u043e\u0431\u0440\u044f\u0434 \u0427\u0435\u043a\u0430\u043d \u0432 \u044d\u0442\u043d\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u043c \u043b\u0430\u043d\u0434\u0448\u0430\u0444\u0442\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0439 \u0434\u0435\u0440\u0435\u0432\u043d\u0438. \u0422\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430<\/em>.<\/span><\/p>

2020<\/strong><\/span><\/p>

Anisimov, Nikolai; Glukhova, Galina (2020). COVID-19 AND THE TRADITIONAL CULTURE OF THE UDMURTS. Folklore: Electronic Journal of Folklore<\/em> [in print].<\/span><\/p>

Anisimov, Nikolai; Glukhova, Galina (2020). La culture traditionnelle oudmourte et les effets de la pand\u00e9mie COVID-19. \u00c9tudes finno-ougriennes<\/em> [in print].<\/span><\/p>

Pchelovodova, Irina; Anisimov, Nikolai (2020). \u041f\u0435\u0441\u0435\u043d\u043d\u0430\u044f \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f \u0437\u0430\u043a\u0430\u043c\u0441\u043a\u0438\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432: \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u0441\u043e\u0431\u0438\u0440\u0430\u043d\u0438\u044f \u0438 \u0438\u0437\u0443\u0447\u0435\u043d\u0438\u044f. \u041b. \u041d. \u0411\u0435\u0445\u0442\u0435\u0440\u0435\u0432\u0430, \u0418. \u041b. \u041f\u043e\u0437\u0434\u0435\u0435\u0432, \u0422. \u0421. \u0421\u0442\u0435\u043f\u0430\u043d\u043e\u0432\u0430 (\u043e\u0442\u0432. \u0440\u0435\u0434.), \u0410. \u0412. \u041a\u0430\u043c\u0438\u0442\u043e\u0432\u0430. \u0413\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u0423\u0434\u043c\u0443\u0440\u0442\u0438\u0438: \u0438\u0441\u0442\u043e\u0440\u0438\u043a\u043e-\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0435 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438 \u0438 \u0441\u0442\u0440\u0430\u0442\u0435\u0433\u0438\u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0433\u043e \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f: \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0441\u0442\u0430\u0442\u0435\u0439 \u043f\u043e \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u043c \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0433\u043e \u043d\u0430\u0443\u0447\u043d\u043e- \u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0444\u043e\u0440\u0443\u043c\u0430 \u00ab100-\u043b\u0435\u0442\u0438\u0435 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0423\u0434\u043c\u0443\u0440\u0442\u0438\u0438: \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0432\u0435\u0445\u0438 \u0438 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u044b \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f\u00bb (\u0418\u0436\u0435\u0432\u0441\u043a, 15 \u043e\u043a\u0442\u044f\u0431\u0440\u044f 2020 \u0433.) (71\u221280). \u0418\u0436\u0435\u0432\u0441\u043a: \u0422\u0438\u043f\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u00ab\u041c\u0430\u0440\u0428\u0430\u043a\u00bb.<\/span><\/p>

Toulouze, Eva; Anisimov, Nikolai (2020). Spring rituals of the Varkled-B\u00f6d\u2019ya Udmurt \/ \u0412\u0435\u0441\u0435\u043d\u043d\u0438\u0435 <\/em><\/strong>\u043e\u0431\u0440\u044f\u0434\u044b \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \u0434. \u0412\u0430\u0440\u043a\u043b\u0435\u0434-\u0411\u043e\u0434\u044c\u044f.<\/em><\/strong> Tartu: ELM Scholarly Press.<\/strong><\/span><\/p>

Pchelovodova, Irina; Anisimov, Nikolai (2020). <\/strong>\u041f\u0435\u0441\u043d\u0438 \u044e\u0436\u043d\u044b\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \/ Songs of southern Udmurt<\/em><\/strong>.<\/em><\/strong> Izhevsk-Tartu: UdmFRC UB RAS; <\/strong>Estonian Literary Museum.<\/strong><\/span><\/p>

Anisimov, Nikolai; Glukhova, Galina (2020). COVID-19 ja udmurdi p\u00e4rimuskultuur. M\u00e4etagused<\/em>, 78, 5\u221242. DOI:\u00a010.7592\/MT2020.78.anisimov_glukhova<\/a>.<\/span><\/p>

Anisimov, Nikolai; Pchelovodova, Irina; Sofronova, Ekaterina (2020). Migrant and Autochthonous Traditions within Udmurt Folksong (on the Example of the Siberian Udmurt). Journal of Ethnology and Folkloristics<\/em>, 14 (1), 85\u2212110. DOI: 10.2478\/jef-2020-0006.<\/span><\/p>

Toulouze, Eva; Anisimov, Nikolai (2020). An ethno-cultural portrait of a diaspora in central Russia: the formation and culture of the Eastern Udmurt. Folklore: Electronic Journal of Folklore<\/em>, 79, 31\u221258. DOI: 10.7592\/FEJF2020.79.toulouze_anisimov.<\/span><\/p>

Anisimov, Nikolai (2020). \u0427\u0430\u0441\u0442\u043d\u044b\u0435 \u043f\u043e\u043c\u0438\u043d\u043a\u0438 \u044e\u0436\u043d\u044b\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432: \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430, \u0441\u0438\u043c\u0432\u043e\u043b\u0438\u043a\u0430, \u0431\u044b\u0442\u043e\u0432\u0430\u043d\u0438\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u0432 \u043d\u0430\u0447\u0430\u043b\u0435 XXI \u0432\u0435\u043a\u0430. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430<\/em> Acta Universitatis Tallinnensis: Humaniora, 1, 19\u221261. DOI: 10.22601\/udmurdi-1.2020.01.<\/span><\/p>

Pchelovodova, Irina; Anisimov, Nikolai (2020). \u0418\u0441\u043f\u043e\u043b\u043d\u0438\u0442\u0435\u043b\u044c \u0438 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f: \u0444\u0435\u043d\u043e\u043c\u0435\u043d \u043b\u0438\u0447\u043d\u043e\u0441\u0442\u0438 \u0432 \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u0438\u0438 \u0438 \u043f\u0435\u0440\u0435\u0434\u0430\u0447\u0435 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u0415\u0436\u0435\u0433\u043e\u0434\u043d\u0438\u043a \u0444\u0438\u043d\u043d\u043e-\u0443\u0433\u043e\u0440\u0441\u043a\u0438\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439<\/em>, 14 (3), 418\u2212433.10.35634\/2224-9443-2020-14-3-418-434.<\/span><\/p>

Anisimov, Nikolai; Glukhova, Galina (2020). \u041f\u0438\u0449\u0430 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u043f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u0422\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430<\/em>, 21 (3), 141\u2212156. DOI: 10.26158\/TK.2020.21.3.012.<\/span><\/p>

\u0422\u0443\u043b\u0443\u0437, \u0415\u0432\u0430; \u041f\u043e\u043f\u043e\u0432\u0430, \u0415\u043b\u0435\u043d\u0430; \u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432, \u041d\u0438\u043a\u043e\u043b\u0430\u0439 (2020). \u041f\u0440\u0435\u0434\u0438\u0441\u043b\u043e\u0432\u0438\u0435. \u0415\u0432\u0430 \u0422\u0443\u043b\u0443\u0437, \u0415\u043b\u0435\u043d\u0430 \u041f\u043e\u043f\u043e\u0432\u0430, \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430<\/em>. T\u043e\u043c I (7\u221217). Tallinn: Tallinna \u00fclikooli kirjastus. (Humaniora). DOI: 10.22601\/udmurdi-1.2020 .<\/span><\/p>

\u0422\u0443\u043b\u0443\u0437, \u0415\u0432\u0430; \u041f\u043e\u043f\u043e\u0432\u0430, \u0415\u043b\u0435\u043d\u0430; \u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432, \u041d\u0438\u043a\u043e\u043b\u0430\u0439 (2020). \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430<\/em>. \u0422\u043e\u043c I. Tallinn: Tallinna \u00fclikooli kirjastus. <\/strong><\/span><\/p>

\u00a0<\/strong>Anisimov, Nikolai; Glukhova, Galina (2020). COVID-19 \u0438 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \/ COVID-19 and Udmurt\u2019s Traditional Culture. COVID-19 \u2013 Management strategies and communication models, on-line seminar Tartu, 18.08.2020. Tartu. \u041f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f<\/span><\/p>

Anisimov, Nikolai; Toulouze, Eva (2020). Uni ja unen\u00e4od udmurdi kultuuris. Asta Niinemets (Toim.). Eesti-uuringute Tippkeskuse X aastakonverents. Dialoogid Eestiga: Kaljujoonistest robootikani<\/em>. 21.\u201322. oktoobril 2020 veebikeskkonnas Microsoft Teams. (40\u221241).Eesti-uuringute Tippkeskuse X aastakonverents. Dialoogid Eestiga: Kaljujoonistest robootikani. 21.\u201322. oktoobril 2020 veebikeskkonnas Microsoft Teams. Eesti Kirjandusmuuseum, Tartu. Tartu: EKM Teaduskirjastus.<\/span><\/p>

Anisimov, Nikolai; Toulouze, Eva (2020). Inmari suudeldu: Kama-taguse udmurditari Irina Samigulova elu ja looming. Taisto-Kalevi Raudalainen (Toim.). Soome-ugri s\u00f5lmed<\/em> 2019 (177\u2212182). Tallinn: Fenno-Ugria . <\/u><\/span><\/p>

Anisimov, Nikolai (2020). P\u00f5nev kombestik: Udmurdi vastlad: v\u00f5ipidu ehk v\u00f6id\u00f5r kestis kuni kaks n\u00e4dalat. Nipiraamat<\/em>. <\/u><\/span><\/p>

Anisimov, Nikolai (2020). \u0412\u04e7\u0439 \u0441\u044d\u0431\u0435\u0434 \u043a\u0443\u0442\u0441\u043a\u0438\u0437. \u041e\u0448\u043c\u0435\u0441<\/em> (\u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e-\u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0433\u0430\u0437\u0435\u0442\u0430 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0438 \u0411\u0430\u0448\u043a\u043e\u0440\u0442\u043e\u0441\u0442\u0430\u043d). <\/u><\/span><\/p>

Anisimov, Nikolai (2020). \u0421\u043e\u043f\u0430\u043b \u043d\u043e \u0442\u0430\u043f\u0430\u043b \u0434\u0443\u043d\u043d\u0435 \u0441\u044f\u0440\u044b\u0441\u044c. \u041e\u0448\u043c\u0435\u0441<\/em> (\u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e-\u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0433\u0430\u0437\u0435\u0442\u0430 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0438 \u0411\u0430\u0448\u043a\u043e\u0440\u0442\u043e\u0441\u0442\u0430\u043d). <\/u><\/span><\/p>

Anisimov, Nikolai (2020). «\u0420\u043e\u0441\u0441\u0438\u044b\u0441\u044c» \u2013 \u0421\u0438\u0431\u0438\u0440\u0435. \u0423\u0434\u043c\u0443\u0440\u0442 \u0434\u0443\u043d\u043d\u0435<\/em> (25\u221225). \u0418\u0436\u0435\u0432\u0441\u043a. <\/u><\/span><\/p>

Anisimov, Nikolai (2020). \u041f\u0438\u0449\u0430 \u0432 \u043f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. Tartu: Eesti Kirjandusmuuseum. \u0412\u0438\u0434\u0435\u043e\u043b\u0435\u043a\u0446\u0438\u044f<\/span><\/p>

Anisimov, Nikolai (2020). \u041a\u043b\u0430\u0434\u0431\u0438\u0449\u0435 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 (Udmurtide surnuaiakultuurist ehk kohtumised surnute ja elavate k\u00fcla vahel). . Tartu. (Eesti Kirjandusmuuseumi folkloristika osakonna loenguseeria). \u0412\u0438\u0434\u0435\u043e\u043b\u0435\u043a\u0446\u0438\u044f<\/span><\/p>

E Anisimov, Nikolai; Glukhova, Galina (2020). COVID-19 \u0438 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. .COVID-19 — I. Management Strategies and Communication Models, On-line Seminar I, Tartu, 18 August 2020. Tartu. \u041f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f<\/span><\/p>

Anisimov, Nikolai; Toulouze, Eva; Alybina, Tatiana; Nikolay, Kuznetsov (2020). \u0421\u0432\u044f\u0449\u0435\u043d\u043d\u044b\u0435 \u043c\u0435\u0441\u0442\u0430 \u0444\u0438\u043d\u043d\u043e-\u0443\u0433\u043e\u0440\u0441\u043a\u0438\u0445 \u043d\u0430\u0440\u043e\u0434\u043e\u0432. \u041a\u0440\u0443\u0433\u043b\u0438\u0439 \u0441\u0442\u043e\u043b. Tartu..<\/span><\/p>

Toulouze, Eva Maria; Anisimov, Nikolai (2020). How the Udmurt Understand the World, and Man in It: Book Review. Journal of Ethnology and Folkloristics<\/em>, 14 (2), 143\u2212146. DOI: 10.2478\/jef-2020-0010.<\/span><\/p>

2019<\/strong><\/span><\/p>

Anisimov, Nikolai (2019). \u0410\u043b\u043a\u043e\u0433\u043e\u043b\u044c \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432: \u043e\u0442\u043a\u0440\u044b\u0442\u044b\u0439 \u0442\u0435\u043a\u0441\u0442 \u0438 \u0441\u043a\u0440\u044b\u0442\u044b\u0439 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442. \u0415.\u0412. \u041f\u043e\u043f\u043e\u0432\u0430. \u041d\u0430\u043f\u0438\u0442\u043a\u0438 \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u043d\u0430\u0440\u043e\u0434\u043e\u0432 \u0423\u0440\u0430\u043b\u043e-\u041f\u043e\u0432\u043e\u043b\u0436\u044c\u044f<\/em>: \u043a\u043e\u043b\u043b\u0435\u043a\u0442\u0438\u0432\u043d\u0430\u044f \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f (205\u2212226). \u0418\u0436\u0435\u0432\u0441\u043a: \u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0439 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0438\u0441\u0442\u043e\u0440\u0438\u0438, \u044f\u0437\u044b\u043a\u0430 \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0423\u0434\u043c\u0424\u0418\u0426 \u0423\u0440\u041e \u0420\u0410\u041d.<\/span><\/p>

Anisimov, Nikolai (2019). \u041a\u043e\u043b\u0434\u0443\u043d\u044b \u0438 \u0432\u0435\u0434\u044c\u043c\u044b \u0432 \u043c\u0438\u0440\u043e\u0432\u043e\u0441\u043f\u0440\u0438\u044f\u0442\u0438\u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0439 \u0434\u0435\u0440\u0435\u0432\u043d\u0438. IV \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0438\u0439 \u043a\u043e\u043d\u0433\u0440\u0435\u0441\u0441 \u0444\u043e\u043b\u044c\u043a\u043b\u043e\u0440\u0438\u0441\u0442\u043e\u0432: \u0422\u0443\u043b\u0430, 1\u20135 \u043c\u0430\u0440\u0442\u0430 2018 \u0433.: \u0441\u0431. \u043d\u0430\u0443\u0447. \u0441\u0442. \u0432 3 \u0442. \u0422. 2: \u041c\u043d\u043e\u0433\u043e\u043e\u0431\u0440\u0430\u0437\u0438\u0435 \u0444\u043e\u043b\u044c\u043a\u043b\u043e\u0440\u043d\u044b\u0445 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0439: \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0441\u0442\u044c.<\/em> Toim. \u0410.\u0411. \u0418\u043f\u043f\u043e\u043b\u0438\u0442\u043e\u0432\u0430. \u041c\u043e\u0441\u043a\u0432\u0430: \u0413\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0438\u0439 \u0414\u043e\u043c \u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0433\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430 \u0438\u043c\u0435\u043d\u0438 \u0412. \u0414. \u041f\u043e\u043b\u0435\u043d\u043e\u0432\u0430, 244\u2212256. DOI: 10.24411\/9999-022A-2019-10233.<\/span><\/p>

Anisimov, Nikolai; Toulouze, Eva (2019). Udmurdi vaimne kultuur 21. sajandil: v\u00e4lit\u00f6\u00f6de t\u00e4helepanekuid. Asta Niinemets (Toim.). Kultuuri usundilised ja narratiivsed aspektid (6).Kultuuri usundilised ja narratiivsed aspektid. Keelest meeleni VI. Mare K\u00f5iva 65. s\u00fcnnip\u00e4evale p\u00fchendatud konverents. Eesti Kirjandusmuuseumis Vanemuise 42, Tartu 28. veebruaril 2019. Tartu: EKM Teaduskirjastus. \u041f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f<\/span><\/p>

Anisimov, Nikolai (2019). K\u00e4itumis- ja kommunikatsiooni mudelid privaatsete m\u00e4lestamisrituaalide kontekstis l\u00f5unaudmurtidel. XXXV International finno-ugric students\u2019 conference (8).IFUSCO XXXV, Viin, Austria, 24.\u201326. aprill 2019. Viin, Austria. \u00a0\u041f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f<\/span><\/p>

E Anisimov, Nikolai; Korepanova, Mariia (2019). \u0420\u043e\u043b\u044c \u04dc\u0430\u043a\u0430\u043f\u0430\u0439 (\u041e. \u041d. \u0421\u043e\u043b\u043e\u0432\u044c\u0435\u0432\u043e\u0439) \u0432 \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u0438\u0438, \u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u0438 \u0438 \u0442\u0440\u0430\u043d\u0441\u043b\u044f\u0446\u0438\u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. Szil\u00e1rd T\u00f3th. Folklore and written traditions of the finno-ugric peoples IV. Abstracts of the 7th Agricola conference<\/em> (34\u221235).7. Mikael Agricola p\u00e4eva konverents, Tartu \u00dclikooli Narva kolled\u017e, Narva, 5. aprill 2019 — 6. aprill 2019. Tartu \u00dclikooli Narva kolled\u017e, Narva.<\/span><\/p>

E Anisimov, Nikolai (2019). \u041f\u043e\u0432\u0435\u0434\u0435\u043d\u0447\u0435\u0441\u043a\u0438\u0435 \u0441\u0442\u0435\u0440\u0435\u043e\u0442\u0438\u043f\u044b \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0435 \u043f\u043e\u0441\u0442\u043f\u043e\u0433\u0440\u0435\u0431\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0442\u0440\u0430\u0443\u0440\u0430 \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. XIII \u041a\u043e\u043d\u0433\u0440\u0435\u0441\u0441 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u043e\u0432 \u0438 \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u043e\u0432 \u0420\u043e\u0441\u0441\u0438\u0438: \u0441\u0431. \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u0432<\/em>. (23).XIII \u041a\u043e\u043d\u0433\u0440\u0435\u0441\u0441 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u043e\u0432 \u0438 \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u043e\u0432 \u0420\u043e\u0441\u0441\u0438\u0438: \u0441\u0431. \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u0432. \u041a\u0430\u0437\u0430\u043d\u044c, 2\u20136 \u0438\u044e\u043b\u044f 2019 \u0433.. \u041c\u043e\u0441\u043a\u0432\u0430; \u041a\u0430\u0437\u0430\u043d\u044c: \u0418\u042d\u0410 \u0420\u0410\u041d, \u041a\u0424\u0423, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0438\u043c. \u0428. \u041c\u0430\u0440\u0434\u0436\u0430\u043d\u0438 \u0410\u041d \u0420\u0422.<\/span><\/p>

Anisimov, Nikolai; Toulouze, Eva (2019). L\u00f5unaudmurdi noorte initsiatsiooniriitused. Sirp<\/em>, 10. <\/u><\/span><\/p>

Anisimov, Nikolai (2019). Elavad ja surnud Udmurdi kultuuris. Sirp<\/em>, 20. <\/u><\/span><\/p>

Anisimov, Nikolai (2019). P\u00f5nev traditsioon I Udmurtide sanditajad tuulevad kaelas rippuvate k\u00f6\u00f6giviljadega ja erootilise alatooniga lauludega. Nipiraamat<\/em>. <\/u><\/span><\/p>

2018<\/strong><\/span><\/p>

Toulouze, Eva; Anisimov, Nikolai (2018). \u201cThe Year Replaces the Year.\u201d Udmurt Spring Ceremonies of the Non-Christian Udmurt:An Ethnographic Analysis of Contemporary Ritual Life (on Materials from Varkled-B\u00f6d\u2019ya Village). Journal of Ethnology and Folkloristics<\/em>, 12 (1), 59\u221294.10.2478\/jef-2018-0005.<\/span><\/p>

Toulouze, Eva; Sadikov, Ranus; Vallikivi, Laur; Niglas, Liivo; Anisimov, Nikolai (2018). Continuity and revitalisation in sacrificial rituals by the Eastern Udmurt part I. The collective sacrificial rituals by the Bashkortostan Udmurt: rooted in tradition. Folklore: Electronic Journal of Folklore<\/em>, 72, 203\u2212218.10.7592\/FEJF2018.72.udmurt1.<\/span><\/p>

Toulouze, Eva; Sadikov, Ranus; Vallikivi, Laur; Niglas, Liivo; Anisimov, Nikolai (2018). Continuity and revitalisation in sacrificial rituals by the Eastern Udmurt. Part II Collective Sacrificial Rituals by the Bashkortostan Udmurt: Revitalisation and innovation. Folklore: Electronic Journal of Folklore<\/em>, 73, 117\u2212144.10.7592\/FEJF2018.73.udmurt2.<\/span><\/p>

Anisimov, Nikolai; Toulouze, Eva Maria (2018). \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0435 \u0431\u044b\u0442\u043e\u0432\u0430\u043d\u0438\u0435 \u043e\u0431\u0440\u044f\u0434\u0430 \u0412\u04e7\u0441\u044c\u043d\u0435\u0440\u0433\u0435 \u0432 \u0434. \u0412\u0430\u0440\u043a\u043b\u0435\u0434-\u0411\u043e\u0434\u044c\u044f \u0410\u0433\u0440\u044b\u0437\u0441\u043a\u043e\u0433\u043e \u0440\u0430\u0439\u043e\u043d\u0430 \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0438 \u0422\u0430\u0442\u0430\u0440\u0441\u0442\u0430\u043d (\u043f\u043e \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u043c \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438 2017 \u0433\u043e\u0434\u0430). Yearbook of Finno-Ugric Studies<\/em>, 12 (4), 101\u2212114.<\/span><\/p>

Anisimov, Nikolai (2018). Faire du terrain dans sa culture d\u2019origine (sur la base d\u2019une exp\u00e9rience personnelle). \u00c9tudes finno-ougriennes<\/em>, 49-50.<\/span><\/p>

Toulouze, Eva Maria; Anisimov, Nikolai (2018). La boisson chez les peuples de la r\u00e9gion Oural\u2011Volga III\u00e8me Symposium ethnographique de terrain \u00e0 Ludorvaj, Oudmourtie. \u00c9tudes finno-ougriennes<\/em>, 49-50.<\/span><\/p>

Toulouze, Eva; Anisimov, Nikolai (2018). Drinks in the Culture of the Peoples of the Volga-Urals Region: 3rd Ethnographic Field Symposium in Ludorvay, Udmurtia, September 18\u201320, 2018. Journal of Ethnology and Folkloristics<\/em>, 12 (2), 142\u2212146.10.2478\/jef-2018-0016.<\/span><\/p>

Anisimov, Nikolai (2018). M\u00e4lestamisrituaal t\u0161ekan n\u00fc\u00fcdisaegse udmurdi k\u00fcla etnokultuurilisel maastikul. Runnel, Pille; J\u00e4\u00e4ts, Indrek; Aljas, Agnes (Toim.). Eesti Rahva Muuseumi aastaraamat<\/em> 61 (116\u2212133). Tartu: Eesti Rahva Muuseum.<\/span><\/p>

Anisimov, Nikolai; Toulouze, Eva Maria (2018). The Eastern Udmurt: A Diaspora\u2019s Ethno-Cultural Portrait at the Beginning of the 21st Century. In: Leena Kurvet-K\u00e4osaar, Triinu Ojamaa (Ed.). The 2018 Annual Conference of the Centre of Excellence in Estonian Studies On the move: migration and diasporas. Nov 29 \u2013 Dec 01 2018 Estonian Literary Museum, Tartu, Estonia (66\u221266). Presentation.<\/span><\/p>

Anisimov, Nikolai; Pyllu, Natalia (2018). Udmurtide j\u00f5ulukombed: miks kutsutakse p\u00fchi tali\u00f5luks ja kuidas peletada kurje vaime ning haigusi? Nipiraamat<\/em>. <\/u><\/span><\/p>

2017<\/strong><\/span><\/p>

Anisimov, Nikolaj (2017). Face \u00e0 la mort: la communication avec l\u2019au\u2011del\u00e0 chez les Oudmourtes dans le contexte des repr\u00e9sentations d\u2019avant\u2011mort. \u00c9tudes finno-ougriennes<\/em>, 48, 167\u2212189.<\/span><\/p>

Anisimov, Nikolai (2017). «\u0414\u0438\u0430\u043b\u043e\u0433 \u043c\u0438\u0440\u043e\u0432» \u0432 \u043c\u0430\u0442\u0440\u0438\u0446\u0435 \u043a\u043e\u043c\u043c\u0443\u043d\u0438\u043a\u0430\u0442\u0438\u0432\u043d\u043e\u0433\u043e \u043f\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432.<\/em> (Doktorit\u00f6\u00f6, Tartu \u00dclikool). Tartu: University of Tartu Press.<\/span><\/p>

Toulouze, Eva; Vallikivi, Laur; Niglas, Liivo; Anisimov, Nikolai (2017). Udmurdi ohvripapp Nazip Sadrijev. Raudalainen, Taisto-Kalevi (Toim.). Soome-ugri s\u00f5lmed<\/em> 2016 (119\u2212125). Tallinn: Fenno-<\/u>Ugria.<\/span><\/p>

Nikolai Anisimov, Eva Toulouze (2017). Southern Udmurt initiation ritual for boys (on the example of Varkled-Bodja). In: Anne Ostrak, Piret Voolaid (Ed.). Variation in language, literature, folklore, and music (16).Annual conference of the Centre of Excellence in Estonian Studies and annual 61st Kreutzwald Days conference, December 7\u20138, 2017 Estonian Literary Museum \/ University of Tartu Tartu, Estonia. Tartu: ELM Scholarly Press. \u041f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f.<\/span><\/p>

Anisimov, Nikolai (2017). \u041f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u043e\u0431\u0440\u044f\u0434 \u0436\u0435\u0440\u0442\u0432\u043e\u043f\u0440\u0438\u043d\u043e\u0448\u0435\u043d\u0438\u044f \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0443\u0434\u043c\u0443\u0440\u0442c\u043a\u043e\u0439 \u0434\u0435\u0440\u0435\u0432\u043d\u0435. 8\u22129.<\/span><\/p>

Anisimov, Nikolai (2017). \u041f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u043e\u0431\u0440\u044f\u0434 \u00ab\u0427\u0435\u043a\u0430\u043d\u00bb \u0432 \u044d\u0442\u043d\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u043c \u043b\u0430\u043d\u0434\u0448\u0430\u0444\u0442\u0435 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0439 \u0434\u0435\u0440\u0435\u0432\u043d\u0438. 439\u2212440.<\/span><\/p>

\u0422\u0443\u043b\u0443\u0437, \u0415\u0432\u0430; \u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432, \u041d\u0438\u043a\u043e\u043b\u0430\u0439 (2017). \u041a\u0430\u043c\u0441\u044c\u00f6\u0440 \u0443\u0434\u043c\u0443\u0440\u0442\u044a\u0451\u0441 \u0442\u043e\u043b\u0441\u0443\u0440 \u0442\u043e\u043b\u044d\u0437\u0435 \u043d\u043e \u0418\u043d\u043c\u0430\u0440\u043b\u044b \u0432\u0430\u0437\u0438\u0441\u044c\u043a\u043e. \u041e\u0448\u043c\u0435\u0441<\/em> (2). <\/u><\/span><\/p>

Toulouze, Eva; Vallikivi, Laur; Niglas, Liivo; Anisimov, Nikolai; Sadikov, Ranus (2017). \u0412\u04e7\u0441\u044f\u0441\u044c\u043a\u043e\u043d \u0443\u0436\u043b\u044b \u0441\u04e5\u0437\u0435\u043c \u043c\u044b\u043b\u043a\u044b\u0434\u044b\u0437 \u0435\u0433\u0438\u0442\u044a\u0451\u0441 \u043f\u04e7\u043b\u044b\u043d \u043d\u043e \u043c\u0435\u0434 \u0430\u0437\u0438\u043d\u0441\u043a\u043e\u0437. \u041e\u0448\u043c\u0435\u0441<\/em> (3).02.11.2017<\/u>.<\/span><\/p>

2016<\/strong><\/span><\/p>

Anisimov, Nikolai (2016). \u0410\u043b\u0430\u043c\u0430\/\u0443\u0440\u043e\u0434 \u0438\u043d(\u044c)\u0442\u044b \u201c\u043f\u043b\u043e\u0445\u043e\u0435 \u043c\u0435\u0441\u0442\u043e\u201d \u0432 \u044d\u0442\u043d\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u043c \u043b\u0430\u043d\u0434\u0448\u0430\u0444\u0442\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432: \u043a\u043e\u043c\u043c\u0443\u043d\u0438\u043a\u0430\u0442\u0438\u0432\u043d\u044b\u0439 \u0430\u0441\u043f\u0435\u043a\u0442. Yearbook of Finno-Ugric Studie<\/em>s, 10 (3), 43\u221255.<\/span><\/p>

Anisimov N. (2016). \u00ab\u041e\u0431\u0440\u0443\u0447\u0435\u043d\u0438\u0435\u00bb \u0441 \u043c\u0438\u0440\u043e\u043c: \u0441\u0432\u0430\u0434\u044c\u0431\u0430 \u043d\u043e\u0432\u043e\u0440\u043e\u0436\u0434\u0435\u043d\u043d\u043e\u0433\u043e \u0438 \u0441\u0432\u0430\u0434\u044c\u0431\u0430 \u043f\u043e\u043a\u043e\u0439\u043d\u0438\u043a\u0430 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. (1\u22128). \u0422\u0430\u0440\u0442\u0443. <\/u><\/span><\/p>

2015<\/strong><\/span><\/p>

Anisimov N.V.; Okuneva T.V.; Pchelovodova I.V. (2015). \u041d\u0435\u043e\u0431\u0440\u044f\u0434\u043e\u0432\u044b\u0439 \u043c\u0443\u0437\u044b\u043a\u0430\u043b\u044c\u043d\u043e-\u043f\u0435\u0441\u0435\u043d\u043d\u044b\u0439 \u0444\u043e\u043b\u044c\u043a\u043b\u043e\u0440 \u043a\u0438\u044f\u0441\u043e\u0432\u0441\u043a\u0438\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432: \u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u043b\u043e\u043a\u0430\u043b\u044c\u043d\u043e\u0439 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438. \u041d\u0430\u0443\u0447\u043d\u044b\u0439 \u0436\u0443\u0440\u043d\u0430\u043b \u00ab\u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430<\/em>\u00bb, 5, 156\u2212163.<\/span><\/p>

Pchelovodova I.V.; Anisimov N.V. (2015). \u041f\u0435\u0441\u043d\u0438 \u044e\u0436\u043d\u044b\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432<\/em>. Izhevsk \u2013 Tartu: \u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0439 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0438\u0441\u0442\u043e\u0440\u0438\u0438, \u044f\u0437\u044b\u043a\u0430 \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0423\u0440\u041e \u0420\u0410\u041d. <\/strong><\/span><\/p>

\u00a0<\/strong>Anisimov, N. (2015). \u0410\u043a\u0443\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0441\u043f\u043e\u0441\u043e\u0431\u044b \u043a\u043e\u043c\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u0438 \u0441 \u043c\u0438\u0440\u043e\u043c \u043c\u0435\u0440\u0442\u0432\u044b\u0445 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u041f\u0435\u0440\u043c\u0438\u0441\u0442\u0438\u043a\u0430 15: \u0414\u0438\u0430\u043b\u0435\u043a\u0442\u044b \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u043f\u0435\u0440\u043c\u0441\u043a\u0438\u0445 \u044f\u0437\u044b\u043a\u043e\u0432 \u0432\u043e \u0432\u0437\u0430\u0438\u043c\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0438 \u0441 \u0434\u0440\u0443\u0433\u0438\u043c\u0438 \u044f\u0437\u044b\u043a\u0430\u043c\u0438: \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0441\u0442\u0430\u0442\u0435\u0439: XV \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0439 \u0441\u0438\u043c\u043f\u043e\u0437\u0438\u0443\u043c \u00ab\u0414\u0438\u0430\u043b\u0435\u043a\u0442\u044b \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u043f\u0435\u0440\u043c\u0441\u043a\u0438\u0445 \u044f\u0437\u044b\u043a\u043e\u0432 \u0432\u043e \u0432\u0437\u0430\u0438\u043c\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0438 \u0441 \u0434\u0440\u0443\u0433\u0438\u043c\u0438 \u044f\u0437\u044b\u043a\u0430\u043c\u0438\u00bb, \u0418\u0436\u0435\u0432\u0441\u043a, 28\u201329.10.2014.<\/em> \u0418\u0436\u0435\u0432\u0441\u043a: \u00ab\u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u00bb, 27\u221234.<\/span><\/p>

E Anisimov, Nikolai (2015). Ak\u0161an \u02bcvidevik\u02bc ja uj \u02bc\u00f6\u00f6\u02bc udmurtide ajalises maailmapildis. XXXI. International Finno-Ugric Students\u2019 Conference<\/em> (5\u22126), P\u00e9cs, 15-18.04.2015. Pecs: Bolko Print Kft..<\/span><\/p>

ABS Anisimov N. (2015). \u041a\u043e\u043c\u043c\u0443\u043d\u0438\u043a\u0430\u0442\u0438\u0432\u043d\u043e\u0435 \u043f\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0435 \u043e\u043a\u043e\u043b\u043e\u0441\u043c\u0435\u0440\u0442\u043d\u044b\u0445 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u0438\u0439. \u041f\u0440\u043e\u0433\u0440\u0430\u043c\u043c\u0430 \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u043d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438 \u0441 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u043c \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043c \u00ab\u042f \u0436\u0438\u0437\u043d\u044c \u043f\u043e\u044e…\u00bb: <\/em>\u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0430\u044f \u043d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u0441 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u043c \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043c \u00ab\u042f \u0436\u0438\u0437\u043d\u044c \u043f\u043e\u044e\u2026\u00bb, \u0418\u0436\u0435\u0432\u0441\u043a \u2013 \u041a\u0443\u043a\u043c\u043e\u0440, 2015.<\/em> \u0418\u0436\u0435\u0432\u0441\u043a \u2013 \u041a\u0443\u043a\u043c\u043e\u0440: \u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0439 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0438\u0441\u0442\u043e\u0440\u0438\u0438, \u044f\u0437\u044b\u043a\u0430 \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0423\u0440\u041e \u0420\u0410\u041d.<\/span><\/p>

2014<\/strong><\/span><\/p>

Anisimov N. (2014). \u041a\u043e\u043c\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u044f \u0441 \u043c\u0438\u0440\u043e\u043c \u043c\u0435\u0440\u0442\u0432\u044b\u0445 \u0432 \u043e\u0431\u044b\u0447\u0430\u0435 \u0432\u0437\u0430\u0438\u043c\u043e\u043f\u043e\u043c\u043e\u0449\u0438 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u0415\u0436\u0435\u0433\u043e\u0434\u043d\u0438\u043a \u0444\u0438\u043d\u043d\u043e-\u0443\u0433\u043e\u0440\u0441\u043a\u0438\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439, 2: \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0439 \u043f\u043e\u043b\u0435\u0432\u043e\u0439 \u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u0438\u043c\u043f\u043e\u0437\u0438\u0443\u043c \u00ab\u0412\u0415\u041c\u0415: \u043e\u0431\u044b\u0447\u0430\u0439 \u0432\u0437\u0430\u0438\u043c\u043e\u043f\u043e\u043c\u043e\u0449\u0438 \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430\u0445 \u043d\u0430\u0440\u043e\u0434\u043e\u0432 \u0423\u0440\u0430\u043b\u043e-\u041f\u043e\u0432\u043e\u043b\u0436\u044c\u044f\u00bb, \u0418\u0436\u0435\u0432\u0441\u043a, 16-18.05.2014.<\/em> \u0418\u0436\u0435\u0432\u0441\u043a: «\u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442», 11\u221217.<\/span><\/p>

\u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432, \u041d.\u0412. (2014). \u041e\u043a\u043e\u043b\u043e\u0441\u043c\u0435\u0440\u0442\u043d\u044b\u0435 \u043f\u0435\u0440\u0435\u0436\u0438\u0432\u0430\u043d\u0438\u044f \u043a\u0430\u043a \u044d\u0442\u0430\u043f \u043f\u0435\u0440\u0435\u0445\u043e\u0434\u0430 \u0432 \u0438\u043d\u043e\u0431\u044b\u0442\u0438\u0435 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u041f\u0440\u043e\u0431\u043b\u0435\u043c\u044b \u043c\u0430\u0440\u0438\u0439\u0441\u043a\u043e\u0439 \u0438 \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0444\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u0438<\/em> (208\u2212212).\u041c\u0435\u0436\u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u0430\u044f \u043d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f «\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u044b \u043c\u0430\u0440\u0438\u0439\u0441\u043a\u043e\u0439 \u0438 \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0444\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u0438», \u0419\u043e\u0448\u043a\u0430\u0440-\u041e\u043b\u0430, 27.03.2014. \u0419\u043e\u0448\u043a\u0430\u0440-\u041e\u043b\u0430: \u041c\u0430\u0440\u0438\u0439\u0441\u043a\u0438\u0439 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442.<\/span><\/p>

Anisimov, Nikolai (2014). \u041a\u043e\u043c\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u044f \u0441 \u043c\u0438\u0440\u043e\u043c \u043c\u0435\u0440\u0442\u0432\u044b\u0445 \u0432 \u043e\u0431\u0440\u044f\u0434\u043e\u0432\u043e\u043c \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0441\u0435 \u00ab\u0411\u044b\u0434\u04df\u044b\u043c \u043d\u0443\u043d\u0430\u043b\u00bb \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. V \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u0444\u0438\u043d\u043d\u043e-\u0443\u0433\u0440\u043e\u0432\u0435\u0434\u043e\u0432 \u00ab\u0424\u0438\u043d\u043d\u043e-\u0443\u0433\u043e\u0440\u0441\u043a\u0438\u0435 \u044f\u0437\u044b\u043a\u0438 \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \u0432 \u0441\u043e\u0446\u0438\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u043c \u043b\u0430\u043d\u0434\u0448\u0430\u0444\u0442\u0435 \u0420\u043e\u0441\u0441\u0438\u0438\u00bb: \u041c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044b: V \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u0444\u0438\u043d\u043d\u043e-\u0443\u0433\u0440\u043e\u0432\u0435\u0434\u043e\u0432 \u00ab\u0424\u0438\u043d\u043d\u043e-\u0443\u0433\u043e\u0440\u0441\u043a\u0438\u0435 \u044f\u0437\u044b\u043a\u0438 \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \u0432 \u0441\u043e\u0446\u0438\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u043c \u043b\u0430\u043d\u0434\u0448\u0430\u0444\u0442\u0435 \u0420\u043e\u0441\u0441\u0438\u0438\u00bb, \u041f\u0435\u0442\u0440\u043e\u0437\u0430\u0432\u043e\u0434\u0441\u043a, 25-28.06.2014.<\/em> \u041f\u0435\u0442\u0440\u043e\u0437\u0430\u0432\u043e\u0434\u0441\u043a: \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u044f\u0437\u044b\u043a\u0430, \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u041a\u0430\u0440\u041d\u0426 \u0420\u0410\u041d, 417\u2212420.<\/span><\/p>

Anisimov N. (2014). \u041a\u043b\u0430\u0434\u0431\u0438\u0449\u0435 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u043a\u0430\u0440\u0442\u0438\u043d\u0435 \u043c\u0438\u0440\u0430 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u0420\u043e\u043b\u044c \u0438\u043d\u0442\u0435\u043b\u043b\u0438\u0433\u0435\u043d\u0446\u0438\u0438 \u0432 \u043f\u0440\u043e\u0441\u0432\u0435\u0449\u0435\u043d\u0438\u0438 \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0433\u043e \u043d\u0430\u0440\u043e\u0434\u0430: \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0430\u044f \u043d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u0441 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u043c \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043c «\u0420\u043e\u043b\u044c \u0438\u043d\u0442\u0435\u043b\u043b\u0438\u0433\u0435\u043d\u0446\u0438\u0438 \u0432 \u043f\u0440\u043e\u0441\u0432\u0435\u0449\u0435\u043d\u0438\u0438 \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0433\u043e \u043d\u0430\u0440\u043e\u0434\u0430», \u041c\u043e\u0436\u0433\u0430, 12-13.09.2014.<\/em> Toim. \u0417\u0430\u0439\u0446\u0435\u0432\u0430 \u0422.\u0418., \u0410\u0440\u0435\u043a\u0435\u0435\u0432\u0430 \u0421.\u0422. \u041c\u043e\u0436\u0433\u0430-\u0418\u0436\u0435\u0432\u0441\u043a: «\u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442», 204\u2212215.<\/span><\/p>

Anisimov N. (2014). \u0413\u043e\u0441\u0442\u0435\u0432\u043e\u0439 \u044d\u0442\u0438\u043a\u0435\u0442 \u0432 \u043e\u0431\u0440\u044f\u0434\u0435 \u0438\u0437\u0433\u043d\u0430\u043d\u0438\u044f \u043d\u0435\u0447\u0438\u0441\u0442\u0438 \u00ab\u0443\u0440\u0431\u0435\u0447 \u0443\u043b\u043b\u044f\u043d\u00bb \u043a\u0438\u044f\u0441\u043e\u0432\u0441\u043a\u0438\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u0410\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u0432\u043e\u043f\u0440\u043e\u0441\u044b \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e-\u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u044b\u0445 \u043d\u0430\u0443\u043a: \u0417\u0430\u043e\u0447\u043d\u0430\u044f \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u0430\u044f \u043d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u00ab\u0420\u043e\u0441\u0441\u0438\u044f \u0438 \u043c\u0438\u0440 XXI \u0432\u0435\u043a\u0430 \u0432 \u0437\u0435\u0440\u043a\u0430\u043b\u0435 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e-\u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u044b\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439\u00bb, \u0412\u043e\u0440\u043e\u043d\u0435\u0436, 28.03.2014.<\/em> \u0412\u043e\u0440\u043e\u043d\u0435\u0436: \u0412\u0418\u0412\u0422 \u0410\u041d\u041e\u041e \u0412\u041f\u041e, 37\u221240.<\/span><\/p>

ABS Anisimov, Nikolai (2014). Guest etiquette in the ritual of the expulsion of evil spirits \u2018urbech ullyan\u2019 (lit. \u2018banish evil spirits\u2019) of kiyasovsky Udmurts. In: 30. Internationale Finnougristik-Studierendenkonferenz<\/em> (17\u221218). G\u00f6ttingen, 9.-12. April 2014. G\u00f6ttingen: Mitteilungen der Societas uralo-altaica.<\/span><\/p>

2013<\/strong><\/span><\/p>

Anisimov N. (2013). \u041f\u0435\u0441\u0435\u043d\u043d\u043e-\u043c\u0443\u0437\u044b\u043a\u0430\u043b\u044c\u043d\u0430\u044f \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f \u0432 \u043f\u043e\u0445\u043e\u0440\u043e\u043d\u043d\u043e-\u043f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u043e\u0431\u0440\u044f\u0434\u0430\u0445 \u044e\u0436\u043d\u044b\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 (\u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u043a\u0438\u044f\u0441\u043e\u0432\u0441\u043a\u0438\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432). \u041b\u043e\u043a\u0430\u043b\u044c\u043d\u0430 \u0442\u0430 \u0440\u0435\u0433i\u043e\u043d\u0430\u043b\u044c\u043d\u0430 \u0441\u043f\u0435\u0446\u0438\u0444i\u043a\u0430 \u0442\u0440\u0430\u0434\u0438\u0446i\u0439\u043d\u043ei \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438: «\u041b\u043e\u043a\u0430\u043b\u044c\u043d\u0430 \u0442\u0430 \u0440\u0435\u0433i\u043e\u043d\u0430\u043b\u044c\u043d\u0430 \u0441\u043f\u0435\u0446\u0438\u0444i\u043a\u0430 \u0442\u0440\u0430\u0434\u0438\u0446i\u0439\u043d\u043ei \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438», \u0433. \u041e\u0434\u0435\u0441\u0441\u0430, \u0423\u043a\u0440\u0430\u0438\u043d\u0430, 2013.<\/em> \u041e\u0434\u0435\u0441\u0441\u0430: \u0412\u0438\u0434-\u0432\u043e \u041a\u041f \u041e\u041c\u0414, 27\u221238.<\/span><\/p>

E Anisimov N. (2013). Udmurtide \u00fcleminekukommete isiklikud laulud (pulma-, nekruti- ja matusekommete n\u00e4itel). XXIX international finno-ugric students\u2019 conference, Syktyvkar, 06-08.05.2013.<\/em> Syktyvkar: \u0413\u0410\u041e\u0423 \u0412\u041f\u041e \u041a\u0420\u0410\u0413\u0421\u0438\u0423, 80\u221280.<\/span><\/p>

ABS Anisimov, Nikolai (2013). \u041b\u0438\u0447\u043d\u044b\u0435 \u043f\u0435\u0441\u043d\u0438 \u0432 \u0440\u0438\u0442\u0443\u0430\u043b\u0430\u0445 \u043f\u0435\u0440\u0435\u0445\u043e\u0434\u0430 \u0443 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 (\u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0441\u0432\u0430\u0434\u0435\u0431\u043d\u043e\u0433\u043e, \u0440\u0435\u043a\u0440\u0443\u0442\u0441\u043a\u043e\u0433\u043e \u0438 \u043f\u043e\u0445\u043e\u0440\u043e\u043d\u043d\u043e\u0433\u043e \u043e\u0431\u0440\u044f\u0434\u043e\u0432). Uralistica<\/em>.<\/span><\/p>

2011<\/strong><\/span><\/p>

Anisimov N.V.; Ver\u0161inina E.B.; Pt\u0161elovodova I.V. (2011). \u0422\u04e5\u0433\u044b\u0440\u043c\u0435\u043d \u0433\u0443\u0440\u044a\u0451\u0441 : \u0423\u0434\u043c\u0443\u0440\u0442 \u042d\u043b\u044c\u043a\u0443\u043d\u044b\u0441\u044c \u041a\u0438\u044f\u0441\u0430 \u0451\u0440\u043e\u0441\u044b\u0441\u044c \u0442\u04e5\u0433\u044b\u0440\u043c\u0435\u043d \u0443\u0434\u043c\u0443\u0440\u0442\u044a\u0451\u0441\u043b\u044d\u043d \u043a\u044b\u0440\u04df\u0430\u043d\u044a\u0451\u0441\u0441\u044b<\/em> \/ \u041d. \u0412. \u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432, \u0415. \u0411. \u0412\u0435\u0440\u0448\u0438\u043d\u0438\u043d\u0430, \u0418. \u0412. \u041f\u0447\u0435\u043b\u043e\u0432\u043e\u0434\u043e\u0432\u0430 ; [\u043e\u0442\u0432. \u0440\u0435\u0434. \u0418. \u041c. \u041d\u0443\u0440\u0438\u0435\u0432\u0430] ; \u0423\u0434\u043c\u0443\u0440\u0442 \u042d\u043b\u044c\u043a\u0443\u043d\u044b\u0441\u044c \u043b\u0443\u043b\u0447\u0435\u0431\u0435\u0440\u0435\u0442\u044a\u044f, \u043f\u0435\u0447\u0430\u0442\u044c\u044f \u043d\u043e \u0438\u0432\u043e\u0440\u0442\u043e\u0434\u044d\u0442\u044a\u044f \u041c-\u0432\u043e, \u041a\u0430\u043b\u044b\u043a \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e\u044f \u044d\u043b\u044c\u043a\u0443\u043d \u043a\u043e\u0440\u043a\u0430 \u2013 \u0415\u0433\u0438\u0442\u044a\u0451\u0441\u043b\u044d\u043d \u044e\u0440\u0442\u0441\u044b, \u0420\u043e\u0441\u0441\u0438\u044b\u0441\u044c \u0442\u043e\u0434\u043e\u0441\u044a\u0451\u0441\u044c\u044f \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u043b\u044d\u043d \u0423\u0440\u0430\u043b \u0451\u0437\u044d\u0442\u044b\u0441\u044c\u0442\u044b\u0437 \u0438\u0441\u0442\u043e\u0440\u0438\u044f\u044f, \u043a\u044b\u043b\u044a\u044f \u043d\u043e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\u044f \u0423\u0434\u043c\u0443\u0440\u0442 \u0438\u043d-\u0442\u044d\u0437, \u041a\u0438\u044f\u0441\u0430\u044b\u0441\u044c \u0443\u043b\u043e\u043d\u0442\u04e5\u043a\u0443\u0441\u043f\u043e \u043b\u0443\u043b\u0447\u0435\u0431\u0435\u0440\u0435\u0442\u044a\u044f \u044e\u0440\u0442 = \u0422\u0438\u0433\u044b\u0440\u043c\u0435\u043d\u0441\u043a\u0438\u0435 \u043c\u0435\u043b\u043e\u0434\u0438\u0438 : \u043f\u0435\u0441\u043d\u0438 \u0442\u0438\u0433\u044b\u0440\u043c\u0435\u043d\u0441\u043a\u0438\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \u041a\u0438\u044f\u0441\u043e\u0432\u0441\u043a\u043e\u0433\u043e \u0440\u0430\u0439\u043e\u043d\u0430 \u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0439 \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0438 \/ \u041d. \u0412. \u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432, \u0415. \u0411. \u0412\u0435\u0440\u0448\u0438\u043d\u0438\u043d\u0430, \u0418. \u0412. \u041f\u0447\u0435\u043b\u043e\u0432\u043e\u0434\u043e\u0432\u0430 ; [\u043e\u0442\u0432. \u0440\u0435\u0434. \u0418. \u041c. \u041d\u0443\u0440\u0438\u0435\u0432\u0430]; \u041c-\u0432\u043e \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b, \u043f\u0435\u0447\u0430\u0442\u0438 \u0438 \u0438\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u0438 \u0423\u0434\u043c\u0443\u0440\u0442. \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0438, \u0420\u0435\u0441\u043f. \u0414\u043e\u043c \u043d\u0430\u0440. \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430 \u2013 \u0414\u043e\u043c \u043c\u043e\u043b\u043e\u0434\u0435\u0436\u0438, \u0423\u0434\u043c\u0443\u0440\u0442. \u0438\u043d-\u0442 \u0438\u0441\u0442\u043e\u0440\u0438\u0438, \u044f\u0437. \u0438 \u043b\u0438\u0442. \u0423\u0440\u0430\u043b. \u043e\u0442\u0434-\u043d\u0438\u044f \u0420\u043e\u0441. \u0430\u043a\u0430\u0434. \u043d\u0430\u0443\u043a, \u041a\u0438\u044f\u0441\u043e\u0432. \u043c\u0435\u0436\u043f\u043e\u0441\u0435\u043b\u0435\u043d. \u0414\u043e\u043c \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b. I\u017eevsk: \u0420\u0435\u0441\u043f. \u0414\u043e\u043c \u043d\u0430\u0440. \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430 — \u0414\u043e\u043c \u043c\u043e\u043b\u043e\u0434\u0435\u0436\u0438. <\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Nikolai Anisimov Born on 23. 12. 1989 in Udmurtia, Udmurt folklorist, researcher on Udmurt folk culture, and famous Udmurt singer. From 06.2017 on, he works at the Estonian Literary Museum in Tartu, where he is researcher at the department of folkloristics. His main research themes are the Udmurt communication with the dead, the Udmurt song tradition and the religious practice of the Eastern Udmurt. EducationHe received his MA at the Udmurt state University in Izhevsk at the Faculty of Philology in 2012, with a thesis in folkloristics. He could immediately become a doctoral student at the University of Tartu (Estonia) at the department of Estonian and comparative Folkloristics He defended his PhD thesis in 2017, with a dissertation called «The dialogue between the worlds» in the mould of the Udmurt\u2019s communicative behaviour. The dissertation investigates the Udmurt funeral and commemorative rituals, and communication with the world beyond and with the dead in particular. His work relies on ten years of intensive fieldwork. Beyond fieldwork, he published many scientific articles and presented the results of his investigations in international conferences and congresses. He started in 2017 to investigate the religious practice of the Eastern Udmurt within a French IUF project. Another direction in Anisimov\u2019s scientific research is the investigation of the Udmurt song culture: he has already published two collections of folksongs, in cooperation with the Udmurt musicologists: Tunes of Tigyrmen, the song repertoire of two villages in the Kiyasovo district (2011) and Songs of the Southern Udmurt (electronic version 2015, paper version 2018, second completed edition 2020). The singerNikolay Anisimov grew up in a singing environment and he sings folk songs since childhood. As a youngster, he received high assessments in singing contests. He started by interpreting songs composed by others, but later he composed his own songs and presented them on stage. He is very much appreciated, and he is well known in all Udmurt villages. In his repertoire, we may identify the following directions: — Songs translated from Tatar: as his village is practically on the border between Udmurtia and Tatarstan, he is acquainted from childhood with the Tatar singing culture, which has inspired him deeply. His first hit, which made him famous, was a Tatar song \u201cDon\u2019t split\u201d, in Udmurt \u00ab\u042d\u043d \u043b\u044e\u043a\u0438\u0441\u044c\u043a\u0435\u00bb; — modern versions of folk songs, for example the so called, chastushki, or «takmak» by the southern Udmurt, humorous four strophes; — his own creation, with such themes as the joy of singing, his native village or region, friendship, love. Sometimes he write his texts himself, sometimes they are written by Udmurt poets, or in cooperation with them. Anisimov\u2019s songs are characterised by rich melodies. Many of them have been adopted by the Udmurt, who sing them in villages, and many have become, or are becoming, folk songs. He discovered the Bashkortostan Udmurt singer Alyona Timerkhanova with whom he made the CD called «The seasons of life» (in Udmurt: \u0423\u043b\u043e\u043d \u0434\u0430\u0443\u0440\u044a\u0451\u0441) (2016). He regularly performs with a group of Udmurt artists in front of an audience coming from all generations. In 2014, with Estonian musician Toivo S\u00f5mer and Udmurt singer Maria Korepanova, (PhD from Tallinn Academy of Music and specialist of Besermyan song) the started the project AR-GOD. The trio performs mainly Udmurt folk songs, usually collected by the singers themselves. AR-GOD performs at festivals in Estonia and abroad. They published their first CD in 2017. In Estonia, he presents the Udmurt culture to a wider audience in lectures, workshops about Udmurt games, songs, dances, cuisine\u2026 and held Udmurt language courses at the University of Tartu. He organises Udmurt concerts in which he sometimes performs alone or with other Udmurts. Since 2012, he is a member of the Udmurt folk ensemble Yumshan Gur and performed with them in many places. He participates in the Days of the Kindred peoples in different Estonian towns, in the Seto region and even in Latvia, in Riga. Publications RUS\u00a0= in RussianENG\u00a0= in EnglishEST\u00a0= in EstonianFRA\u00a0= in FrenchUDM\u00a0= in UdmurtAnisimov = scientific articleAnisimov = bookAnisimov \u00a0= popularisation articleAnisimov = scientific article about the Eastern Udmurt 2021 Anisimov, Nikolai (2021). \u041f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u043e\u0431\u0440\u044f\u0434 \u0427\u0435\u043a\u0430\u043d \u0432 \u044d\u0442\u043d\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u043c \u043b\u0430\u043d\u0434\u0448\u0430\u0444\u0442\u0435 \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u043e\u0439 \u0434\u0435\u0440\u0435\u0432\u043d\u0438. \u0422\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430. 2020 Anisimov, Nikolai; Glukhova, Galina (2020). COVID-19 AND THE TRADITIONAL CULTURE OF THE UDMURTS. Folklore: Electronic Journal of Folklore [in print]. Anisimov, Nikolai; Glukhova, Galina (2020). La culture traditionnelle oudmourte et les effets de la pand\u00e9mie COVID-19. \u00c9tudes finno-ougriennes [in print]. Pchelovodova, Irina; Anisimov, Nikolai (2020). \u041f\u0435\u0441\u0435\u043d\u043d\u0430\u044f \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f \u0437\u0430\u043a\u0430\u043c\u0441\u043a\u0438\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432: \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u0441\u043e\u0431\u0438\u0440\u0430\u043d\u0438\u044f \u0438 \u0438\u0437\u0443\u0447\u0435\u043d\u0438\u044f. \u041b. \u041d. \u0411\u0435\u0445\u0442\u0435\u0440\u0435\u0432\u0430, \u0418. \u041b. \u041f\u043e\u0437\u0434\u0435\u0435\u0432, \u0422. \u0421. \u0421\u0442\u0435\u043f\u0430\u043d\u043e\u0432\u0430 (\u043e\u0442\u0432. \u0440\u0435\u0434.), \u0410. \u0412. \u041a\u0430\u043c\u0438\u0442\u043e\u0432\u0430. \u0413\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u0423\u0434\u043c\u0443\u0440\u0442\u0438\u0438: \u0438\u0441\u0442\u043e\u0440\u0438\u043a\u043e-\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0435 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438 \u0438 \u0441\u0442\u0440\u0430\u0442\u0435\u0433\u0438\u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0433\u043e \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f: \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0441\u0442\u0430\u0442\u0435\u0439 \u043f\u043e \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u043c \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0433\u043e \u043d\u0430\u0443\u0447\u043d\u043e- \u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0444\u043e\u0440\u0443\u043c\u0430 \u00ab100-\u043b\u0435\u0442\u0438\u0435 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0423\u0434\u043c\u0443\u0440\u0442\u0438\u0438: \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0432\u0435\u0445\u0438 \u0438 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u044b \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f\u00bb (\u0418\u0436\u0435\u0432\u0441\u043a, 15 \u043e\u043a\u0442\u044f\u0431\u0440\u044f 2020 \u0433.) (71\u221280). \u0418\u0436\u0435\u0432\u0441\u043a: \u0422\u0438\u043f\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u00ab\u041c\u0430\u0440\u0428\u0430\u043a\u00bb. Toulouze, Eva; Anisimov, Nikolai (2020). Spring rituals of the Varkled-B\u00f6d\u2019ya Udmurt \/ \u0412\u0435\u0441\u0435\u043d\u043d\u0438\u0435 \u043e\u0431\u0440\u044f\u0434\u044b \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \u0434. \u0412\u0430\u0440\u043a\u043b\u0435\u0434-\u0411\u043e\u0434\u044c\u044f. Tartu: ELM Scholarly Press. Pchelovodova, Irina; Anisimov, Nikolai (2020). \u041f\u0435\u0441\u043d\u0438 \u044e\u0436\u043d\u044b\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 \/ Songs of southern Udmurt. Izhevsk-Tartu: UdmFRC UB RAS; Estonian Literary Museum. Anisimov, Nikolai; Glukhova, Galina (2020). COVID-19 ja udmurdi p\u00e4rimuskultuur. M\u00e4etagused, 78, 5\u221242. DOI:\u00a010.7592\/MT2020.78.anisimov_glukhova. Anisimov, Nikolai; Pchelovodova, Irina; Sofronova, Ekaterina (2020). Migrant and Autochthonous Traditions within Udmurt Folksong (on the Example of the Siberian Udmurt). Journal of Ethnology and Folkloristics, 14 (1), 85\u2212110. DOI: 10.2478\/jef-2020-0006. Toulouze, Eva; Anisimov, Nikolai (2020). An ethno-cultural portrait of a diaspora in central Russia: the formation and culture of the Eastern Udmurt. Folklore: Electronic Journal of Folklore, 79, 31\u221258. DOI: 10.7592\/FEJF2020.79.toulouze_anisimov. Anisimov, Nikolai (2020). \u0427\u0430\u0441\u0442\u043d\u044b\u0435 \u043f\u043e\u043c\u0438\u043d\u043a\u0438 \u044e\u0436\u043d\u044b\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432: \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430, \u0441\u0438\u043c\u0432\u043e\u043b\u0438\u043a\u0430, \u0431\u044b\u0442\u043e\u0432\u0430\u043d\u0438\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u0432 \u043d\u0430\u0447\u0430\u043b\u0435 XXI \u0432\u0435\u043a\u0430. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 Acta Universitatis Tallinnensis: Humaniora, 1, 19\u221261. DOI: 10.22601\/udmurdi-1.2020.01. Pchelovodova, Irina; Anisimov, Nikolai (2020). \u0418\u0441\u043f\u043e\u043b\u043d\u0438\u0442\u0435\u043b\u044c \u0438 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f: \u0444\u0435\u043d\u043e\u043c\u0435\u043d \u043b\u0438\u0447\u043d\u043e\u0441\u0442\u0438 \u0432 \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u0438\u0438 \u0438 \u043f\u0435\u0440\u0435\u0434\u0430\u0447\u0435 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u0415\u0436\u0435\u0433\u043e\u0434\u043d\u0438\u043a \u0444\u0438\u043d\u043d\u043e-\u0443\u0433\u043e\u0440\u0441\u043a\u0438\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439, 14 (3), 418\u2212433.10.35634\/2224-9443-2020-14-3-418-434. Anisimov, Nikolai; Glukhova, Galina (2020). \u041f\u0438\u0449\u0430 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u043f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432. \u0422\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430, 21 (3), 141\u2212156. DOI: 10.26158\/TK.2020.21.3.012. \u0422\u0443\u043b\u0443\u0437, \u0415\u0432\u0430; \u041f\u043e\u043f\u043e\u0432\u0430, \u0415\u043b\u0435\u043d\u0430; \u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432, \u041d\u0438\u043a\u043e\u043b\u0430\u0439 (2020). \u041f\u0440\u0435\u0434\u0438\u0441\u043b\u043e\u0432\u0438\u0435. \u0415\u0432\u0430 \u0422\u0443\u043b\u0443\u0437, \u0415\u043b\u0435\u043d\u0430 \u041f\u043e\u043f\u043e\u0432\u0430, \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u0410\u043d\u0438\u0441\u0438\u043c\u043e\u0432. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430. T\u043e\u043c I (7\u221217). Tallinn: Tallinna \u00fclikooli kirjastus. (Humaniora). 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