{"id":424,"date":"2022-05-21T15:39:55","date_gmt":"2022-05-21T15:39:55","guid":{"rendered":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/?page_id=424"},"modified":"2023-03-02T10:18:57","modified_gmt":"2023-03-02T10:18:57","slug":"niglas","status":"publish","type":"page","link":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/niglas\/","title":{"rendered":"\u041b\u0438\u0439\u0432\u043e \u041d\u0438\u0433\u043b\u0430\u0441"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"niglas\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u041b\u0438\u0439\u0432\u043e \u041d\u0438\u0433\u043b\u0430\u0441<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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https:\/\/www.etis.ee\/CV\/Liivo_Niglas\/eng<\/a><\/p>

\u0414\u0430\u0442\u0430 \u0440\u043e\u0436\u0434\u0435\u043d\u0438\u044f
2.11.1970<\/p>

\u042d\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0430\u044f \u043f\u043e\u0447\u0442\u0430
Liivo.niglas@ut.ee<\/p>

\u041b\u0438\u0439\u0432\u043e \u041d\u0438\u0433\u043b\u0430\u0441 \u2013 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0439 \u044d\u0442\u043d\u043e\u043b\u043e\u0433, \u0441\u043f\u0435\u0446\u0438\u0430\u043b\u0438\u0441\u0442 \u043f\u043e \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0438. \u0417\u0430\u0449\u0438\u0442\u0438\u043b \u0434\u0438\u0441\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u044e \u0432 \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u043e\u043c \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0435 \u0432 2020, \u0438\u043c\u0435\u0435\u0442 \u0441\u0442\u0435\u043f\u0435\u043d\u044c PhD. \u041a\u0440\u043e\u043c\u0435\u00a0 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u044b\u0445 \u043d\u0430\u0443\u0447\u043d\u044b\u0445 \u0440\u0430\u0431\u043e\u0442, \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u0430\u0432\u0442\u043e\u0440\u043e\u043c \u043d\u0430\u0443\u0447\u043d\u044b\u0445 \u0444\u0438\u043b\u044c\u043c\u043e\u0432 \u043f\u043e \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0438, \u0441\u043e\u0434\u0435\u0440\u0436\u0430\u0449\u0438\u0445 \u0440\u0435\u0437\u0443\u043b\u044c\u0442\u0430\u0442\u044b \u043f\u043e\u043b\u0435\u0432\u044b\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439. \u041f\u043e\u0434\u0433\u043e\u0442\u043e\u0432\u043a\u0443 \u0432 \u043e\u0431\u043b\u0430\u0441\u0442\u0438 \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043a\u0438\u043d\u043e \u043f\u043e\u043b\u0443\u0447\u0438\u043b \u0432 \u0410\u0442\u0435\u043b\u044c\u0435 \u0412\u0430\u0440\u0430\u043d (\u041f\u0430\u0440\u0438\u0436, 1998). \u041b\u0438\u0439\u0432\u043e \u041d\u0438\u0433\u043b\u0430\u0441 \u0441\u043d\u0438\u043c\u0430\u0435\u0442 \u043e\u0447\u0435\u043d\u044c \u0443\u0432\u0430\u0436\u0438\u0442\u0435\u043b\u044c\u043d\u043e, \u043d\u0435 \u0432\u043c\u0435\u0448\u0438\u0432\u0430\u044f\u0441\u044c \u0432 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0435. \u0421\u043d\u0438\u043c\u0430\u043b \u0432\u043e \u0432\u0440\u0435\u043c\u044f \u0441\u043e\u0431\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043f\u043e\u043b\u0435\u0432\u044b\u0445 \u0440\u0430\u0431\u043e\u0442 \u0432 \u0421\u0438\u0431\u0438\u0440\u0438 \u0438 \u0432 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0439 \u0420\u043e\u0441\u0441\u0438\u0438, \u0438 \u0432 \u0434\u0440\u0443\u0433\u0438\u0445 \u0441\u0442\u0440\u0430\u043d\u0430\u0445, \u0432 \u041b\u0430\u0442\u0432\u0438\u0438, \u0432 \u0421\u0428\u0410, \u0432 \u041c\u043e\u0437\u0430\u043c\u0431\u0438\u043a\u0435, \u0432 \u0410\u0437\u0438\u0438.<\/p>

\u0420\u0430\u0431\u043e\u0442\u0430<\/strong><\/span><\/h5>

\u0423\u0447\u0440\u0435\u0436\u0434\u0435\u043d\u0438\u044f \u0438 \u0434\u043e\u043b\u0436\u043d\u043e\u0441\u0442\u0438<\/strong><\/span><\/p>

01.10.2009\u201331.12.2021\u00a0 \u2013 \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0424\u0430\u043a\u0443\u043b\u044c\u0442\u0435\u0442 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u0438, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f, \u043d\u0430\u0443\u0447\u043d\u044b\u0439 \u0441\u043e\u0442\u0440\u0443\u0434\u043d\u0438\u043a (1,00)<\/p>

01.09.2002\u201331.08.2014\u00a0 \u2013 \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0424\u0430\u043a\u0443\u043b\u044c\u0442\u0435\u0442 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u0438, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f, \u043b\u0435\u043a\u0442\u043e\u0440 (0,50)<\/p>

1996\u20132002\u00a0 \u2013 \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0424\u0430\u043a\u0443\u043b\u044c\u0442\u0435\u0442 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u0438, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f, \u041e\u0442\u0434\u0435\u043b \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0438, \u0410\u0441\u0441\u0438\u0441\u0442\u0435\u043d\u0442 (0,50)<\/p>

\u0423\u0447\u0435\u0431\u0430<\/strong><\/span><\/p>

BA., \u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043e\u0442\u0434\u0435\u043b, \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 (1995);<\/p>

MA., \u043a\u0430\u0444\u0435\u0434\u0440\u0430 \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0438, \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 (1999);<\/p>

PhD., \u043a\u0430\u0444\u0435\u0434\u0440\u0430 \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0438, \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 (2020).<\/p>

\u041a\u0443\u0440\u0441\u044b \u043a\u0438\u043d\u043e: \u043f\u0440\u043e\u0433\u0440\u0430\u043c\u043c\u0430 \u043e \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0445 \u0444\u0438\u043b\u044c\u043c\u043e\u0432, \u0432 Ateliers Varan, \u041f\u0430\u0440\u0438\u0436, \u0424\u0440\u0430\u043d\u0446\u0438\u044f (25.05.1998-08.08.1998)<\/p>

\u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0435 \u0444\u0438\u043b\u044c\u043c\u044b <\/strong><\/span><\/p>

\u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0435 \u043c\u043e\u043b\u0435\u043d\u0438\u044f: \u0447\u0435\u0442\u044b\u0440\u0435 \u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0444\u0438\u043b\u044c\u043c\u044b \u043e \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u044b\u0445 \u0436\u0435\u0440\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043c\u043e\u043b\u0435\u043d\u0438\u0439 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 (DVD \u0441\u0431\u043e\u0440\u043d\u0438\u043a) [Udmurt Prayer Ceremonies: four ethnographic films about the traditional sacrificial rites of the Udmurts of Bashkortostan (DVD set)]. MP DOC.<\/a> (2019).<\/p>

\u041c\u00f6\u0440 \u0432\u00f6\u0441\u044c: \u043e\u043a\u0440\u0443\u0436\u043d\u043e\u0435 \u043c\u043e\u043b\u0435\u043d\u0438\u0435 (66 \u043c\u0438\u043d) (\u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c). (2019).<\/a><\/p>

\u0413\u0443\u0440\u0442 \u0432\u00f6\u0441\u044c: \u0434\u0435\u0440\u0435\u0432\u0435\u043d\u0441\u043a\u043e\u0435 \u043c\u043e\u043b\u0435\u043d\u0438\u0435 (62 \u043c\u0438\u043d) (\u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c). .<\/u>(2019).<\/p>

\u042d\u043b\u044d\u043d \u0432\u00f6\u0441\u044c:\u043e\u0431\u0449\u0435\u0435 \u043c\u043e\u0435\u043d\u0438\u0435 \u0437\u0430\u043a\u0430\u043c\u0441\u043a\u0438\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 (46 \u043c\u0438\u043d) (\u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c) [Elen V\u00f6s: Joint Prayer Ceremony of the Eastern Udmurts (46 min) (Ethnographic film)].<\/a> (2019)<\/p>

\u043e\u043b \u043c\u00f6\u0440 \u0432\u00f6\u0441\u044c: \u0437\u0438\u043c\u043d\u0435\u0435 \u043e\u043a\u0440\u0443\u0436\u043d\u043e\u0435 \u043c\u043e\u043b\u0435\u043d\u0438\u0435 (67 \u043c\u0438\u043d) (\u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c) [Tol M\u00f6r V\u00f6s: Joint Winter Ceremony (67 min) (Ethnographic film)].<\/a> (2019)<\/p>

Juri Vella maailm. Armastuse maa (DVD kogumik) [Yuri Vella’s World. The Land of Love (DVD set)] \u00a0(2018).. F-Seitse & MP DOC.<\/a><\/p>

Armastuse maa (Land of Love) — 78 min. Directing, Camera, Editing (with Kaie-Ene R\u00e4\u00e4k), Producer with Kaie-Ene R\u00e4\u00e4k); supported by Cultural Endowment of Estonia, Kindered Peoples\u2019 Program; producion company: mp doc & F-Seitse (October 2016)<\/p>

Teekond Ussinuumajani (Journey to the Maggot Feeder) \u2013 Directing (with Priit Tender), Camera and Editing (with Kaie-Ene R\u00e4\u00e4k); supported by Cultural Endowment of Estonia, Estonian Film Institute; producion company: F-Seitse (January 2015)<\/p>

Puhkus Siberis (Siberian Vacation)\u2013 (30 min.) Directing, Camera and Editing (with Marju Juhkum); supported by Cultural Endowment of Estonia, Estonian Film Foundation, Estonian Television; producion company: F-Seitse (September 2011)<\/p>

Itelmeeni lood (Itelmen Stories)\u2013 (57 min.) Directing, Camera and Editing (with Marju Juhkum); supported by Cultural Endowment of Estonia, Estonian Film Foundation, Estonian Science Foundation, National Science Foundation (USA); producion company: mp doc (March 2010)<\/p>

Kui vagiinal oleks hambad: \u0161ona vihmategemistseremoonia L\u00e4\u00e4ne-Mosambiigis (If Vagina had teeth: The Shona Rainmaking Ceremony in Western Mozambique)\u2013 (57 min.) Directing (with Frode Storaas), Camera, Editing (with Marju Juhkum), Producer (with Tore S\u00e6tersdal, Frode Storaas); supported by: The Norwegian Cooperation Programme for Development, Research and Education; The Norwegian Agency for Development Cooperation; Bergen Museum; produced by: mp doc (March 2009)<\/p>

Kalarahvas (Fish On!) \u2013 60 min. Directing (with Diane Perlov, Frode Storaas), Camera, Editing (with Marju Juhkum), Producer (with Diane Perlov, Frode Storaas); supported by: International Partnerships Among Museums, California Science Center, Bergen Museum, Estonian National Museum; producion company: mp doc (March 2008)<\/p>

Vihma tegemine (Making Rain) \u2013 (57 min.) Directing (with Frode Storaas), Camera and Editing (with Marju Juhkum); supported by Cultural Endowment of Estonia, Estonian Film Foundation, The Norwegian Cooperation Programme for Development, Research and Education; The Norwegian Agency for Development Cooperation; Bergen Museum; producion company: mp doc (March 2007)<\/p>

Julgi v\u00e4gi (Julgi) — 27 min. Directing , Camera and Editing (with Marju Juhkum); supported by Cultural Endowment of Estonia, Estonian Film Foundation, Cultural Endowment of Latvia; Kindered Peoples\u2019 Program; producion company: Ikoon O\u00dc (April 2005).<\/p>

Tavaline seiklus (Adventure High) \u2013 89 min. Directing , Camera and Editing; supported by Cultural Endowment of Estonia; producion company: mp doc (June 2004)
Estonian Science Foundation; producion company: F-Seitse (December 2000)<\/p>

Juri Vella maailm (Yuri Vella\u2019s World) \u2013 58 min. Directing and Camera; supported by Cultural Endowment of Estonia, Estonian Film Foundation, Estonian Science Foundation; producion company: mp doc & F-Seitse (February 2003<\/p>

Brigaad (The Brigade) — 57 min. Directing and Camera; supported by Cultural Endowment of Estonia, Estonian Film Foundation; producion company: Liivo Niglas & F-Seitse (December 2000)<\/p>

Et les ch\u00e9vres…? (But the Goats… ?) — 24 min. Directing and Camera; supported by Estonian Cultural Endowment; production company: Ateliers Varan (1998)<\/p>

\u0414\u0438\u043f\u043b\u043e\u043c\u044b<\/strong><\/span><\/p>

Liivo Niglas, Doctor’s Degree, 2020, (sup) Art Leete, Videokaameraga Siberis: vaatlev dokumentaalfilm kui audiovisuaalne etnograafia (In Siberia with a Camera: Observational Documentary as Audio-visual Ethnography), University of Tartu, Faculty of Arts and Humanities, Institute of Cultural Research<\/a><\/p>

Liivo Niglas, Research Master’s Degree, 1999, (sup) Jaanus Plaat, P\u00f5hjap\u00f5der neenetsi kultuuris: etnograafiliste v\u00e4lit\u00f6\u00f6de anal\u00fc\u00fcs, University of Tartu, Faculty of Philosophy, Department of History.<\/a><\/p>

\u041f\u0440\u0435\u043c\u0438\u0438<\/strong><\/span><\/p>

2017, Liivo Niglas, Festival international Jean Rouch, Paris, France: Prix Fleury Doc (film: The Land of Love)<\/p>

2017, Liivo Niglas, Matsalu Nature Film Festival, Estonia: 1st Prize in the category \u201cMan and Nature\u201d (film: The Land of Love)<\/p>

2017, Liivo Niglas, International Festival of Ethnographic Film, Sofia, Bulgaria: the special diploma for the innovative approach (film: Journey to the Maggot Feeder).<\/p>

2017, Liivo Niglas, Royal Anthropological Institute Film Festival: Basil Wright Prize (film: Journey to the Maggot Feeder)<\/p>

2016, Liivo Niglas, The National Estonian Film and Television Award (EFTA): The Best Documentary (film: The Land of Love)<\/p>

2016, Liivo Niglas, Annual Award of the Estonian Cultural Endowment: Documentary of the Year (film: The Land of Love)<\/p>

2015, Liivo Niglas, EstDocs, Toronto, Canada: Jury Award (film: Journey to the Maggot Feeder)<\/p>

2015, Liivo Niglas, Vilnius Documentary Film Festival, Vilnius, Leedu : Third Prize (film: Journey to the Maggot Feeder)<\/p>

2011, Liivo Niglas, International Festival of Ethnological Film, Belgrade, Serbia: Grand Prix (film: Itelmen Stories)<\/p>

2008, Liivo Niglas, P\u00e4rnu International Documentary and Anthropology Film Festival, Estonia: Best Scientific Record (film: Making Rain)<\/p>

2006, Liivo Niglas, Trento Film Festival, Italy: Andrea Morelli Special Prize (film: Adventure High)<\/p>

2003, Liivo Niglas, Matsalu International Nature Film Festival «Green Gate», Estonia: First Prize (film: The Brigade)<\/p>

2003, Liivo Niglas, Visions du reel, Nyon, Switzerland: Prix IUCN (film: Yuri Vella’s World)<\/p>

2002, Liivo Niglas, Estonian Polar Society’s award<\/p>

2001, Liivo Niglas, Kalamata International Documentary Film Festival, Kalamata, Greece: Golden Olive for the best descriptive documentary (film: The Brigade)<\/p>

\u041e\u0431\u043b\u0430\u0441\u0442\u0438 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f<\/strong><\/span><\/p>

ETIS \u041a\u041b\u0410\u0421\u0421\u0418\u0424\u0418\u041a\u0410\u0426\u0418\u042f: 2. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0438 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u043e; 2.4. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f; CERCS \u041a\u041b\u0410\u0421\u0421\u0418\u0424\u0418\u041a\u0410\u0426\u0418\u042f: S220 \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0430\u044f \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f, \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u044f; \u0421\u041f\u0415\u0426\u0418\u0410\u041b\u042c\u041d\u041e\u0421\u0422\u042c: \u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c.<\/p>

\u041f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438<\/strong><\/span><\/p>

Niglas = \u043f\u043e-\u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438<\/span>
Niglas\u00a0 = \u043f\u043e-\u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438<\/span>
Niglas\u00a0 = \u043f\u043e-\u0440\u0443\u0441\u0441\u043a\u0438<\/span>
Niglas = \u043f\u043e-\u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438<\/span>
Niglas = \u043f\u043e-\u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438<\/span>
Niglas = \u0444\u0438\u043b\u044c\u043c<\/span>
Niglas = \u043a\u043d\u0438\u0433\u0430<\/strong>
Niglas, Liivo (2020)\u00a0 \u043e\u0431 \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0445 \u0432\u043e\u043f\u0440\u043e\u0441\u043e\u0432<\/p>

2020<\/strong><\/span><\/p>

Toulouze, Eva;.\u041b\u0438\u0439\u0432\u043e \u041d\u0438\u0433\u043b\u0430\u0441 C\u044a\u0435\u043c\u043a\u0438 \u0443\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0445 \u043e\u0431\u0440\u044f\u0434\u043e\u0432 \u0432 \u0411\u0430\u0448\u043a\u043e\u0440\u0442\u043e\u0441\u0442\u0430\u043d:\u043e\u0442\u043f\u0440\u043e\u0435\u043a\u0442\u0430 \u0434\u043e DVD. \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f<\/em>, 4, 113\u2212135. DOI: 10.17223\/2312461X\/30\/6.<\/a><\/span><\/p>

2019<\/strong><\/span><\/p>

Toulouze,Eva; Niglas, Liivo (2019). Yuri Vella’s Fight for Survival in Western Siberia: Oil, Reindeer and Gods. Cambridge: Cambridge Scholars.<\/strong><\/a><\/span><\/p>

Toulouze, Eva; Niglas Liivo (2019). Filming Udmurt ceremonies in Bashkortostan. In: \u041c.\u041f. \u0411\u0435\u0437\u0435\u043d\u043e\u0432\u0430 (\u043e\u0442\u0432. \u0440\u0435\u0434.), \u041b.\u041d.\u0411\u0435\u0445\u0442\u0435\u0440\u0435\u0432\u0430, \u0418.\u041b. \u041f\u043e\u0437\u0434\u0435\u0435\u0432, \u0410.\u0412.\u041a\u0430\u043c\u0438\u0442\u043e\u0432\u0430, \u0410.\u041c. \u0421\u0443\u0431\u0431\u043e\u0442\u0438\u043d\u0430, \u041e.\u0412.\u0422\u0438\u0442\u043e\u0432\u0430, \u0422.\u0421.\u0421\u0442\u0435\u043f\u0430\u043d\u043e\u0432\u0430, \u041b.\u0410.\u0414\u043c\u0438\u0442\u0440\u0438\u0435\u0432\u0430 (Ed.). \u0424\u0438\u043d\u043d\u043e-\u0443\u0433\u043e\u0440\u0441\u043a\u0438\u0439 \u043c\u0438\u0440 \u0432 \u043f\u043e\u043b\u0438\u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0435 \u0420\u043e\u0441\u0441\u0438\u0438: \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0435 \u043d\u044f\u0441\u043b\u0435\u0434\u0438\u0435 \u0438 \u043d\u043e\u0432\u044b\u0435 \u0432\u044b\u0437\u043e\u0432\u044b.<\/em> \u0421\u0431\u043e\u0440\u043d\u0438\u043a \u0441\u0442\u0430\u0442\u044c\u0435\u0439 \u043f\u043e \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u043c VI \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u043d\u0430\u0443\u0447\u043d\u043e\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438 \u0444\u0438\u043d\u043d\u043e-\u0443\u0433\u0440\u043e\u0432\u0435\u0434\u043e\u0432 (\u0418\u0436\u0435\u0432\u0441\u043a, 4-7 \u0438\u044e\u043d\u044f 2019 \u0433.) (539\u2212544). \u0418\u0436\u0435\u0432\u0441\u043a: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u0410\u043d\u043d\u044b \u0417\u0435\u043b\u0435\u043d\u0438\u043d\u043e\u0439.<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2019). Metsaneenetsi animism \u00fcksikisiku n\u00e4itel. Sirp, 9 (3731) , 40.<\/a><\/span><\/p>

Hanso, Hannes; Kuusk, Mart ; Kuusk, Priit; Niglas, Liivo; Prii, Kristjan; R\u00fctman, Tanel (2019). Tee teab — Ehh, Uhhuduur L\u00f5una-Ameerikas. T\u00c4NAP\u00c4EV.<\/a><\/span><\/p>

2018<\/strong><\/span><\/p>

Toulouze, Eva; Sadikov, Ranus; Vallikivi, Laur; Niglas, Liivo; Anisimov, Nikolai (2018). Continuity and Revitalisation in Sacrificial Rituals by the Eastern Udmurt Part I. The Collective Sacrificial Rituals by the Bashkortostan Udmurt: Rootedin Tradition. Folklore: Electronic Journal of Folklore,<\/em> 72, 203\u2212218.10.7592\/FEJF2018.72.udmurt1.<\/a><\/span><\/p>

Toulouze, Eva; Sadikov, Ranus; Vallikivi, Laur; Niglas, Liivo; Anisimov, Nikolai (2018). Continuity and revitalisation in sacrificial rituals by the Eastern Udmurt. Part II Collective Sacrificial Rituals by the Bashkortostan Udmurt: Revitalisation and innovation. Folklore: Electronic Journal of Folklore<\/em>, 73, 117\u2212144.10.7592\/FEJF2018.73.udmurt2.<\/a><\/span><\/p>

2017<\/span><\/strong><\/p>

Toulouze, Eva; Niglas, Liivo (2017). The v\u00f6s’as’, the Udmurt sacrificial priest: an old task for young men. Temenos : Nordic Journal of Comparative Religion<\/em>, 53 (1), 9\u221239.<\/a><\/span><\/p>

Toulouze, Eva; Vallikivi, Laur; Niglas, Liivo; Anisimov, Nikolai (2017). Udmurdi ohvripapp Nazip Sadrijev. Raudalainen, Taisto-Kalevi (Toim.). Soome-ugri s\u00f5lmed<\/em> 2016 (119\u2212125). Tallinn: Fenno-Ugria.<\/a><\/span><\/p>

Toulouze, Eva; Vallikivi, Laur; Niglas, Liivo; Anisimov, Nikolai; Sadikov, Ranus (2017). \u0412\u04e7\u0441\u044f\u0441\u044c\u043a\u043e\u043d \u0443\u0436\u043b\u044b \u0441\u04e5\u0437\u0435\u043c \u043c\u044b\u043b\u043a\u044b\u0434\u044b\u0437 \u0435\u0433\u0438\u0442\u044a\u0451\u0441 \u043f\u04e7\u043b\u044b\u043d \u043d\u043e \u043c\u0435\u0434 \u0430\u0437\u0438\u043d\u0441\u043a\u043e\u0437. \u041e\u0448\u043c\u0435\u0441<\/em> (3).02.11.2017.<\/a><\/span><\/p>

2016<\/strong><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2016). Fixity and movement in Western Siberia: when oil worker, native and reindeer paths cross. In: Anu Kannike, Monika Tasa (Ed.). The dynamics of cultural borders <\/em>(46-84). Tartu: University of Tartu Press. (Approaches to Culture Theory; 5).<\/a><\/span><\/p>

2015<\/strong><\/span><\/p>

Toulouze, Eva, Niglas, Liivo (2015). Quelques c\u00e9r\u00e9monies chez les Oudmourtes du Bachkortostan. Etudes finno-ougriennes, <\/em>46, 289\u2212301.<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo; Vallikivi, Laur (2015). Ba\u0161kiirimaa udmurtide ohvripalvused ja ohvripapid. Soome-ugri s\u00f5lmed<\/em>, 2014, 75\u221283.<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2015). The Udmurt religion in Northern Bashkortostan: Strengthening the community. In: Mantila, Harri; Sivonen, Jari; Brunni, Sisko; Leinonen, Kaisa; Palviainen, Santeri. Congressus Duodecimus Internationalis Fenno-Ugristarum. <\/em>Book of abstracts (177\u2212178).. Oulu: University of Oulu.<\/a><\/span><\/p>

2014<\/strong><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2014). Udmurt animistic ceremonies in Bashkortostan: fieldwork ethnography. Journal of Ethnology and Folkloristics<\/em>, 8, 1, 111\u2212120.<\/a><\/span><\/p>

2013<\/span><\/strong><\/p>

J\u00fcrgenson, Aivar; Niglas, Liivo (2013). Juurte juurde ja tagasi. Siberist remigreerunud eestlaste kodupaigak\u00fclastused kui n\u00e4ide sekulaarsest palver\u00e4nnust [To the roots and back. The trips of remigrated Siberian Estonians to their home village.]. M\u00e4etagused<\/em>, 54, 27\u221266.<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2013). Inimene, kellel olid p\u00f5hjap\u00f5dras ja poeesia. Juri Vella m\u00e4lestuseks. Sirp<\/em>. Eesti Kultuurileht, 17.<\/a><\/span><\/p>

2012<\/span><\/strong><\/p>

Toulouze, Eva; Niglas, Liivo (2012). Native spirituality in (re)constructed personhood: observing and filming Yuri Vella. Folklore. Electronic Journal of Folklore,<\/em> 133\u2212170.<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2012). Spirtualit\u00e9 autochtone et personnalit\u00e9 (re)construite \u2013 Observer et filmer Iouri Vella. Eva Toulouze; Dominique Samson Normand de Chambourg. Deux \u00e9crivains autochtones de Sib\u00e9rie: \u00c9r\u00e9me\u00ef A\u00efpine et Iouri Vella<\/em> (317\u2212361).. L’Harmattan. (Biblioth\u00e9que finno-ougrienne; 22).<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2012). Parler de soi pour changer le monde. Eva Toulouze; Dominique Samson Normand de Chambourg. Deux \u00e9crivains autochtones de Sib\u00e9rie: \u00c9r\u00e9me\u00ef A\u00efpine et Iouri Vella <\/em>(305\u2212316).. L’Harmattan. (Biblioth\u00e9que finno-ougrienne; 22).<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2012). La vision du monde en tant qu\u2019outil de survie. Ce que filmer Iouri Vella nous apprend. Eva Toulouze; Dominique Samson Normand de Chambourg. Deux \u00e9crivains autochtones de Sib\u00e9rie: \u00c9r\u00e9me\u00ef A\u00efpine et Iouri Vella<\/em> (285\u2212303).. L’Harmattan. (Biblioth\u0113que finno-ougrienne ; 22).<\/a><\/span><\/p>

2011<\/span><\/strong><\/p>

Koester, David; Niglas, Liivo (2011). Hunting in Itelmen: Filming a Past Practice in a Disappearing Language. Sibirica<\/em>, Volume 10, 55\u221281. DOI: 10.3167\/sib.2011.100303.<\/a><\/span><\/p>

Niglas, Liivo (2011). Yuri Vella on the Move: Driving an uazik in Western Siberia. Folklore. Electronic Journal of Folklore<\/em>, 49, 31\u221270.<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2011). Spiritualit\u00e9 autochtone et personnalit\u00e9 (re)construite: observer et filmer Iouri Vella. Eva Toulouze; Dominique Samson Normand de Chambourg. La construction de soi dans l\u2019espace litt\u00e9raire sib\u00e9rien postsovi\u00e9tique : \u00c9r\u00e9me\u00ef A\u00efpine et Iouri Vell<\/em>a (347\u2212397).. Paris: L’Harmattan, ADEFO. (Biblioth\u00e8que finno-ougrienne; 22).<\/a><\/span><\/p>

Koester, David; Niglas, Liivo (2011). Documentary Filming on the Edge: Past, Present, and Future in the Documenting of Language Loss in Practical Context.\u00a0Histories from the North: Environments, Movements, and Narratives: The Final BOREAS Conference; Rovaniemi, Finland; 29. — 31.10.2009.<\/em>\u00a0_EditorsAbbr Ziker, John P.; Stammler, Florian. Boise: Boise University, 48\u221254.<\/a><\/span><\/p>

Toulouze, Eva; Niglas, Liivo (2010). Reconstructing the past and the present: the ethnographical films made by the Estonian National Museum (1961-1989). Journal of Ethnology and Folkloristics<\/em>, 4 (2), 77\u221296.<\/a><\/span><\/p>

2009<\/span><\/strong><\/p>

Niglas, L.; Toulouze, E. (2009). Etnograafiline film Eestis 1960. — 80.: Eesti Rahva Muuseumi filmitoodang. Runnel, P. Maailmafilm: Tartu visuaalse kultuuri festival 23.-29. m\u00e4rtsini 2009 (101\u2212104).. Tartu: Eesti Rahva Muuseum.<\/a><\/span><\/p>

Toulouze, E.; Niglas, L. (2009). Etnograafiline film Eestis : Eesti Rahva Muuseumi filmitoodang; Ethnographical film in Estonia 1960-1980: the films made by the Estonian National Museum. Pille Runnel (_EditorsAbbr). Worldfilm\/Maailmafilm 23-29 m\u00e4rts 2009 Katalog (102\u2212107).. Tartu: Eesti Rahva Muuseum.<\/a><\/span><\/p>

2008<\/span><\/strong><\/p>

Niglas, L.; Fenz, R. (2008). Retrospective of Robert Gardner. In: Runnel, P. \u00a0Mediating Culture Through Film:<\/em> Conversations and Reflections on Filmmaking at Tartu Worldfilm Festival (81\u221295).. Tartu : Eesti Rahva Muuseum.<\/a><\/span><\/p>

Niglas, L.; Close, C. (2008). Retrospective of John Marshall. In: Runnel, P. Mediating Culture Through Film<\/em>: Conversations and Reflections on Filmmaking at Tartu Worldfilm Festival (65\u221278).. Tartu: Eesti Rahva Muuseum.<\/a><\/span><\/p>

Alexandrov, E.; Niglas, L. (2008). Conversation with John Marshall. In: Runnel, P. Mediating Culture Through Film<\/em>: Conversations and Reflections on Filmmaking at Tartu Worldfilm Festival (62\u221264).. Tartu: Eesti Rahva Muuseum.<\/a><\/span><\/p>

Niglas, L. (2008). Visuaalsed meetodid — Argikultuuri uurimise terminoloogia e-s\u00f5nastik<\/em>.<\/a><\/span><\/p>

2007<\/span><\/strong><\/p>

Hanso, H.; Kuusk, P.; Kuusk, M.; Prii, K.; R\u00fctman, T.; Niglas, L. (2007). Ehh, uhhuduur. Tallinn: Eesti Ekspressi Kirjastus.<\/strong><\/a><\/span><\/p>

2006<\/span><\/strong><\/p>

Toulouze, E.; Niglas, L. (2006). Parler de soi pour changer le monde : Juri Vella et la parole. Sign Systems Studies, 34 (2), 509\u2212525.<\/a><\/span><\/p>

Niglas, L. (2006). Visuaalne antropoloogia. Sirp<\/em> (14)..<\/a><\/span><\/p>

2005<\/span><\/strong><\/p>

Niglas, L. (2005). An individual\u2019s attempt of resistance to the colonial policy: Yuri Vella\u2019s play with visual media. In: Leete, A.; Valk, \u00dc. (_EditorsAbbr). The Northern peoples and states: changing relationships (112\u2212141).. Tartu: Tartu University Press. (Studies in folk culture; 5).<\/a><\/span><\/p>

Kark, Mati; Kadastik, Meelis; Vilu, Arvo; Ainla, Alar; Taal, Rivo; Annikve, Peeter; Lenk, Andreas; Luts, Heiki; Kaldoja, Hans; Kruusmaa, Maarja; Uibopuu, Helen; Niglas, Liivo; Alum\u00e4e, Tanel; Roasto, Mati; Praakle, Kristi; Vurma, Allan; J\u00e4rve, Marju; Reintam, Endla; Reivelt, Kaido; Sibul, Ivar … Kask, Andres (2005). P\u00e4hklipurejad [Videosalvestis] = [Nutcrackers]. Lill, Anne; Matiisen, Mirjam (Toim.). .. [Tallinn]: Haridus- ja teadusministeerium.<\/a><\/span><\/p>

2004<\/strong><\/span><\/p>

Niglas, L.; Toulouze, E. (2004). Yuri Vella’s worldview as a tool for survival: what filming reveals. Terje Anepaio; Pille Runnel. Perceptions of Worldviews Pro ethnologia (95\u2212114).. Tartu: Eesti Rahva Muuseum.<\/a><\/span><\/p>

Niglas, L. (2004). \u00dcksikisiku katse seista vastu domineerivale maailmavaatele: Juri Vella s\u00fcnkretistlik eluk\u00e4sitlus. Eesti sotsiaalteaduste V aastakonverents..<\/a><\/span><\/p>

2001<\/strong><\/span><\/p>

Niglas, L. (2001). About the Identity of the Yamal Nenets. In: Pro ethnologia<\/em> (29\u221247).. Tartu.<\/a><\/span><\/p>

Leete, A.; Niglas, L.; Barkalaja, A. (2001). P\u00f5hjap\u00f5der arktilises kultuuris<\/em>. Tartu: Eesti Rahva Muuseum.<\/strong><\/a><\/span><\/p>

Runnel, Pille; Niglas, Liivo (2001). Visual Anthropology and Its Representations in Estonia. Vanavaravedaja<\/em>, 6, 182\u2212213.<\/a><\/span><\/p>

Niglas, L. (2001). Review of the Jukka Pennanen\u2019s book \u201cJos ei ole poronpaimenia, kansa h\u00e4vi\u00e4\u00e4\u201d. Ethnologia Scandinavica<\/em>, 31, 217\u2212219.<\/a><\/span><\/p>

Runnel, P.; Niglas, L. (2001). Etnograafilisuse vahendamise k\u00fcsimus dokumentaalfilmis\/The Question of Mediating Ethnography in Documentaries. Eesti Rahva Muuseumi 42. konverents «Kultuuri uurimise eetika<\/em>«. Ettekannete kokkuv\u00f5tted (30\u221232). . Tartu: Eesti Rahva Muuseum.<\/a><\/span><\/p>

2000<\/strong><\/span><\/p>

Niglas, L. (2000). Reindeer as the Moulder of the Ethnic Identity of the Yamal Nenets. In: Arctic Studies (87\u221292).. Tartu.<\/a><\/span><\/p>

Niglas, L. (2000). Reindeer as the Moulder of the Ethnic Identity of the Yamal Nenets. Arctic Studies (87\u221292).. Tartu: Eesti Rahva Muuseum. (Pro Ethnologia. Publications of Estonian National Museum; 10).<\/a><\/span><\/p>

Niglas, L. (2000). P\u00f5hjap\u00f5der Jamali neenetsite identiteedi kujundajana. Art Leete; Toivo Sikka; Ivi Tammaru (_EditorsAbbr). Arktiliste kultuuride identiteet (25\u221227).Tartu 13.-15.04.2000,Eesti Rahva Muuseumi 41. konverents. Tartu: Vali Press.<\/a><\/span><\/p>

1999<\/strong><\/span><\/p>

Niglas, L. (1999). The Yamal Nenets in a Changing World. In: Arctic Studies<\/em> (7\u22129).. Tartu.<\/a><\/span><\/p>

1998<\/strong><\/span><\/p>

Niglas, L. (1998). Les Nenets dans un environnement en mutation. \u00c9tudes finno-ougriennes<\/em>, 30, 63\u221283.<\/a><\/span><\/p>

Niglas, L. (1998). Le renne dans l\u2019univers mental des Nenets. Bor\u00e9ales<\/em> : revue du Centre de recherches inter-nordiques, 74\/77, 169\u2212187.<\/a><\/span><\/p>

Niglas, L. (1998). Neenetsi traditsiooniline sport: kas \u00fcksnes m\u00e4ng? M\u00e4ngud ja sport\/Game and Sport (21\u221228).. Tartu: Eesti Spordimuuseum.<\/a><\/span><\/p>

1997<\/strong><\/span><\/p>

Niglas, L. (1997). Reindeer in the Nenets Worldview. Pro Ethnologia<\/em>, 5, x.<\/a><\/span><\/p>

Niglas, L.; Leete, A. (1997). Examining Cultural Changes in Western Siberia. Pro Ethnologia<\/em>, 5, 77\u221280.<\/a><\/span><\/p>

Niglas, L. (1997). La femme chez les eleveurs de renne nenets. \u00c9tudes finno-ougriennes<\/em>, 29, 85\u2212104.<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u041b\u0438\u0439\u0432\u043e \u041d\u0438\u0433\u043b\u0430\u0441 https:\/\/www.etis.ee\/CV\/Liivo_Niglas\/eng \u0414\u0430\u0442\u0430 \u0440\u043e\u0436\u0434\u0435\u043d\u0438\u044f2.11.1970 \u042d\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0430\u044f \u043f\u043e\u0447\u0442\u0430Liivo.niglas@ut.ee \u041b\u0438\u0439\u0432\u043e \u041d\u0438\u0433\u043b\u0430\u0441 \u2013 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0439 \u044d\u0442\u043d\u043e\u043b\u043e\u0433, \u0441\u043f\u0435\u0446\u0438\u0430\u043b\u0438\u0441\u0442 \u043f\u043e \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0438. \u0417\u0430\u0449\u0438\u0442\u0438\u043b \u0434\u0438\u0441\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u044e \u0432 \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u043e\u043c \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0435 \u0432 2020, \u0438\u043c\u0435\u0435\u0442 \u0441\u0442\u0435\u043f\u0435\u043d\u044c PhD. \u041a\u0440\u043e\u043c\u0435\u00a0 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u044b\u0445 \u043d\u0430\u0443\u0447\u043d\u044b\u0445 \u0440\u0430\u0431\u043e\u0442, \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u0430\u0432\u0442\u043e\u0440\u043e\u043c \u043d\u0430\u0443\u0447\u043d\u044b\u0445 \u0444\u0438\u043b\u044c\u043c\u043e\u0432 \u043f\u043e \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0438, \u0441\u043e\u0434\u0435\u0440\u0436\u0430\u0449\u0438\u0445 \u0440\u0435\u0437\u0443\u043b\u044c\u0442\u0430\u0442\u044b \u043f\u043e\u043b\u0435\u0432\u044b\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439. \u041f\u043e\u0434\u0433\u043e\u0442\u043e\u0432\u043a\u0443 \u0432 \u043e\u0431\u043b\u0430\u0441\u0442\u0438 \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043a\u0438\u043d\u043e \u043f\u043e\u043b\u0443\u0447\u0438\u043b \u0432 \u0410\u0442\u0435\u043b\u044c\u0435 \u0412\u0430\u0440\u0430\u043d (\u041f\u0430\u0440\u0438\u0436, 1998). \u041b\u0438\u0439\u0432\u043e \u041d\u0438\u0433\u043b\u0430\u0441 \u0441\u043d\u0438\u043c\u0430\u0435\u0442 \u043e\u0447\u0435\u043d\u044c \u0443\u0432\u0430\u0436\u0438\u0442\u0435\u043b\u044c\u043d\u043e, \u043d\u0435 \u0432\u043c\u0435\u0448\u0438\u0432\u0430\u044f\u0441\u044c \u0432 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0435. \u0421\u043d\u0438\u043c\u0430\u043b \u0432\u043e \u0432\u0440\u0435\u043c\u044f \u0441\u043e\u0431\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043f\u043e\u043b\u0435\u0432\u044b\u0445 \u0440\u0430\u0431\u043e\u0442 \u0432 \u0421\u0438\u0431\u0438\u0440\u0438 \u0438 \u0432 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0439 \u0420\u043e\u0441\u0441\u0438\u0438, \u0438 \u0432 \u0434\u0440\u0443\u0433\u0438\u0445 \u0441\u0442\u0440\u0430\u043d\u0430\u0445, \u0432 \u041b\u0430\u0442\u0432\u0438\u0438, \u0432 \u0421\u0428\u0410, \u0432 \u041c\u043e\u0437\u0430\u043c\u0431\u0438\u043a\u0435, \u0432 \u0410\u0437\u0438\u0438. \u0420\u0430\u0431\u043e\u0442\u0430 \u0423\u0447\u0440\u0435\u0436\u0434\u0435\u043d\u0438\u044f \u0438 \u0434\u043e\u043b\u0436\u043d\u043e\u0441\u0442\u0438 01.10.2009\u201331.12.2021\u00a0 \u2013 \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0424\u0430\u043a\u0443\u043b\u044c\u0442\u0435\u0442 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u0438, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f, \u043d\u0430\u0443\u0447\u043d\u044b\u0439 \u0441\u043e\u0442\u0440\u0443\u0434\u043d\u0438\u043a (1,00) 01.09.2002\u201331.08.2014\u00a0 \u2013 \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0424\u0430\u043a\u0443\u043b\u044c\u0442\u0435\u0442 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u0438, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f, \u043b\u0435\u043a\u0442\u043e\u0440 (0,50) 1996\u20132002\u00a0 \u2013 \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0424\u0430\u043a\u0443\u043b\u044c\u0442\u0435\u0442 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u0438, \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f, \u041e\u0442\u0434\u0435\u043b \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0438, \u0410\u0441\u0441\u0438\u0441\u0442\u0435\u043d\u0442 (0,50) \u0423\u0447\u0435\u0431\u0430 BA., \u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043e\u0442\u0434\u0435\u043b, \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 (1995); MA., \u043a\u0430\u0444\u0435\u0434\u0440\u0430 \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0438, \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 (1999); PhD., \u043a\u0430\u0444\u0435\u0434\u0440\u0430 \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0438, \u0422\u0430\u0440\u0442\u0443\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 (2020). \u041a\u0443\u0440\u0441\u044b \u043a\u0438\u043d\u043e: \u043f\u0440\u043e\u0433\u0440\u0430\u043c\u043c\u0430 \u043e \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0445 \u0444\u0438\u043b\u044c\u043c\u043e\u0432, \u0432 Ateliers Varan, \u041f\u0430\u0440\u0438\u0436, \u0424\u0440\u0430\u043d\u0446\u0438\u044f (25.05.1998-08.08.1998) \u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0435 \u0444\u0438\u043b\u044c\u043c\u044b \u0423\u0434\u043c\u0443\u0440\u0442\u0441\u043a\u0438\u0435 \u043c\u043e\u043b\u0435\u043d\u0438\u044f: \u0447\u0435\u0442\u044b\u0440\u0435 \u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0444\u0438\u043b\u044c\u043c\u044b \u043e \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u044b\u0445 \u0436\u0435\u0440\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043c\u043e\u043b\u0435\u043d\u0438\u0439 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 (DVD \u0441\u0431\u043e\u0440\u043d\u0438\u043a) [Udmurt Prayer Ceremonies: four ethnographic films about the traditional sacrificial rites of the Udmurts of Bashkortostan (DVD set)]. MP DOC. (2019). \u041c\u00f6\u0440 \u0432\u00f6\u0441\u044c: \u043e\u043a\u0440\u0443\u0436\u043d\u043e\u0435 \u043c\u043e\u043b\u0435\u043d\u0438\u0435 (66 \u043c\u0438\u043d) (\u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c). (2019). \u0413\u0443\u0440\u0442 \u0432\u00f6\u0441\u044c: \u0434\u0435\u0440\u0435\u0432\u0435\u043d\u0441\u043a\u043e\u0435 \u043c\u043e\u043b\u0435\u043d\u0438\u0435 (62 \u043c\u0438\u043d) (\u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c). .(2019). \u042d\u043b\u044d\u043d \u0432\u00f6\u0441\u044c:\u043e\u0431\u0449\u0435\u0435 \u043c\u043e\u0435\u043d\u0438\u0435 \u0437\u0430\u043a\u0430\u043c\u0441\u043a\u0438\u0445 \u0443\u0434\u043c\u0443\u0440\u0442\u043e\u0432 (46 \u043c\u0438\u043d) (\u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c) [Elen V\u00f6s: Joint Prayer Ceremony of the Eastern Udmurts (46 min) (Ethnographic film)]. (2019) \u043e\u043b \u043c\u00f6\u0440 \u0432\u00f6\u0441\u044c: \u0437\u0438\u043c\u043d\u0435\u0435 \u043e\u043a\u0440\u0443\u0436\u043d\u043e\u0435 \u043c\u043e\u043b\u0435\u043d\u0438\u0435 (67 \u043c\u0438\u043d) (\u044d\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0438\u043b\u044c\u043c) [Tol M\u00f6r V\u00f6s: Joint Winter Ceremony (67 min) (Ethnographic film)]. (2019) Juri Vella maailm. Armastuse maa (DVD kogumik) [Yuri Vella’s World. The Land of Love (DVD set)] \u00a0(2018).. F-Seitse & MP DOC. Armastuse maa (Land of Love) — 78 min. Directing, Camera, Editing (with Kaie-Ene R\u00e4\u00e4k), Producer with Kaie-Ene R\u00e4\u00e4k); supported by Cultural Endowment of Estonia, Kindered Peoples\u2019 Program; producion company: mp doc & F-Seitse (October 2016) Teekond Ussinuumajani (Journey to the Maggot Feeder) \u2013 Directing (with Priit Tender), Camera and Editing (with Kaie-Ene R\u00e4\u00e4k); supported by Cultural Endowment of Estonia, Estonian Film Institute; producion company: F-Seitse (January 2015) Puhkus Siberis (Siberian Vacation)\u2013 (30 min.) Directing, Camera and Editing (with Marju Juhkum); supported by Cultural Endowment of Estonia, Estonian Film Foundation, Estonian Television; producion company: F-Seitse (September 2011) Itelmeeni lood (Itelmen Stories)\u2013 (57 min.) Directing, Camera and Editing (with Marju Juhkum); supported by Cultural Endowment of Estonia, Estonian Film Foundation, Estonian Science Foundation, National Science Foundation (USA); producion company: mp doc (March 2010) Kui vagiinal oleks hambad: \u0161ona vihmategemistseremoonia L\u00e4\u00e4ne-Mosambiigis (If Vagina had teeth: The Shona Rainmaking Ceremony in Western Mozambique)\u2013 (57 min.) Directing (with Frode Storaas), Camera, Editing (with Marju Juhkum), Producer (with Tore S\u00e6tersdal, Frode Storaas); supported by: The Norwegian Cooperation Programme for Development, Research and Education; The Norwegian Agency for Development Cooperation; Bergen Museum; produced by: mp doc (March 2009) Kalarahvas (Fish On!) \u2013 60 min. Directing (with Diane Perlov, Frode Storaas), Camera, Editing (with Marju Juhkum), Producer (with Diane Perlov, Frode Storaas); supported by: International Partnerships Among Museums, California Science Center, Bergen Museum, Estonian National Museum; producion company: mp doc (March 2008) Vihma tegemine (Making Rain) \u2013 (57 min.) Directing (with Frode Storaas), Camera and Editing (with Marju Juhkum); supported by Cultural Endowment of Estonia, Estonian Film Foundation, The Norwegian Cooperation Programme for Development, Research and Education; The Norwegian Agency for Development Cooperation; Bergen Museum; producion company: mp doc (March 2007) Julgi v\u00e4gi (Julgi) — 27 min. Directing , Camera and Editing (with Marju Juhkum); supported by Cultural Endowment of Estonia, Estonian Film Foundation, Cultural Endowment of Latvia; Kindered Peoples\u2019 Program; producion company: Ikoon O\u00dc (April 2005). Tavaline seiklus (Adventure High) \u2013 89 min. Directing , Camera and Editing; supported by Cultural Endowment of Estonia; producion company: mp doc (June 2004)Estonian Science Foundation; producion company: F-Seitse (December 2000) Juri Vella maailm (Yuri Vella\u2019s World) \u2013 58 min. Directing and Camera; supported by Cultural Endowment of Estonia, Estonian Film Foundation, Estonian Science Foundation; producion company: mp doc & F-Seitse (February 2003 Brigaad (The Brigade) — 57 min. Directing and Camera; supported by Cultural Endowment of Estonia, Estonian Film Foundation; producion company: Liivo Niglas & F-Seitse (December 2000) Et les ch\u00e9vres…? (But the Goats… ?) — 24 min. Directing and Camera; supported by Estonian Cultural Endowment; production company: Ateliers Varan (1998) \u0414\u0438\u043f\u043b\u043e\u043c\u044b Liivo Niglas, Doctor’s Degree, 2020, (sup) Art Leete, Videokaameraga Siberis: vaatlev dokumentaalfilm kui audiovisuaalne etnograafia (In Siberia with a Camera: Observational Documentary as Audio-visual Ethnography), University of Tartu, Faculty of Arts and Humanities, Institute of Cultural Research Liivo Niglas, Research Master’s Degree, 1999, (sup) Jaanus Plaat, P\u00f5hjap\u00f5der neenetsi kultuuris: etnograafiliste v\u00e4lit\u00f6\u00f6de anal\u00fc\u00fcs, University of Tartu, Faculty of Philosophy, Department of History. \u041f\u0440\u0435\u043c\u0438\u0438 2017, Liivo Niglas, Festival international Jean Rouch, Paris, France: Prix Fleury Doc (film: The Land of Love) 2017, Liivo Niglas, Matsalu Nature Film Festival, Estonia: 1st Prize in the category \u201cMan and Nature\u201d (film: The Land of Love) 2017, Liivo Niglas, International Festival of Ethnographic Film, Sofia, Bulgaria: the special diploma for the innovative approach (film: Journey to the Maggot Feeder). 2017, Liivo Niglas, Royal Anthropological Institute Film Festival: Basil Wright Prize (film: Journey to the Maggot Feeder) 2016, Liivo Niglas, The National Estonian Film and Television Award (EFTA): The Best Documentary (film: The Land of Love) 2016, Liivo Niglas, Annual Award of the Estonian Cultural Endowment: Documentary of the Year (film: The Land of Love) 2015, Liivo Niglas, EstDocs, Toronto, Canada: Jury Award (film: Journey to the Maggot Feeder) 2015, Liivo Niglas, Vilnius Documentary Film Festival, Vilnius, Leedu : Third Prize (film: Journey to the Maggot Feeder) 2011, Liivo Niglas, International Festival of Ethnological Film, Belgrade, Serbia: Grand Prix (film: Itelmen Stories) 2008, Liivo Niglas, P\u00e4rnu International Documentary and Anthropology Film Festival, Estonia: Best Scientific Record (film: Making Rain) 2006, Liivo Niglas, Trento Film Festival, Italy: Andrea Morelli Special Prize (film: Adventure High) 2003, Liivo Niglas, Matsalu International Nature Film Festival «Green Gate», Estonia: First Prize (film: The Brigade) 2003, Liivo Niglas, Visions du reel, Nyon, Switzerland: Prix IUCN (film: Yuri Vella’s World) 2002, Liivo Niglas, Estonian Polar<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","pgc_sgb_lightbox_settings":"","footnotes":""},"class_list":["post-424","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/wp-json\/wp\/v2\/pages\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/wp-json\/wp\/v2\/comments?post=424"}],"version-history":[{"count":44,"href":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/wp-json\/wp\/v2\/pages\/424\/revisions"}],"predecessor-version":[{"id":11560,"href":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/wp-json\/wp\/v2\/pages\/424\/revisions\/11560"}],"wp:attachment":[{"href":"https:\/\/www.folklore.ee\/udmurt\/kamaudm\/wp-json\/wp\/v2\/media?parent=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}