{"id":3542,"date":"2025-01-31T16:33:24","date_gmt":"2025-01-31T14:33:24","guid":{"rendered":"https:\/\/dev.wsys.ee\/seto\/?post_type=tupoloogia&p=3542"},"modified":"2026-02-27T12:42:45","modified_gmt":"2026-02-27T10:42:45","slug":"ketra-liiso","status":"publish","type":"tupoloogia","link":"https:\/\/www.folklore.ee\/setoviisid\/tupoloogia\/rutmisusteem-iii\/regulaarse-meetrumiga-viisid\/neljaloogiline-meetrum-4-4\/silbirutm-kombineerib-mustreid-4-8-44-ja-88-88-88-88\/ketra-liiso\/","title":{"rendered":"||: Xxxo Xxoo :|| 4 korda. Silbir\u00fctm ||: 4. 8 44 :||: 88 88 88 88 :|| Ketr\u00e4, Liiso"},"content":{"rendered":"
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N\u00e4ide.<\/strong> Ketr\u00e4, Liiso<\/em> (m\u00e4ngulaul), Agripina (Kreepa) Pihlaste kooriga, Haudjasaare k., 1961 (EKRK, Fon. 24 (6)).<\/p>\n <\/div>\n \n

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Struktuursed tunnused*<\/strong><\/h2>\n\n\n\n

Harmooniline r\u00fctm (melostroof)<\/strong><\/h3>\n\n\n\n

||:<\/note><\/strong> Xxxo Xxoo :||<\/strong><\/note> 4 korda<\/p>\n\n\n\n

Silbir\u00fctm (melostroof)<\/strong><\/h3>\n\n\n\n

||: \uf0ce. \uf0e4\uf0ce  \uf0ce :||: \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 :||<\/strong><\/note><\/p>\n\n\n\n

V\u00e4rsirea ehitus (melostroof)<\/strong><\/h3>\n\n\n\n

Laiendatud v\u00e4rsirida ab ab abcd abcd<\/em>:<\/p>\n\n\n\n

kuis ma \/ ketr\u00e4, \/ kuis ma<\/em> \/ ketr\u00e4,<\/em> \/\/ kuis ma \/ ketr\u00e4, \/ memme- \/ kene, \/ kuis ma<\/em> \/ ketr\u00e4,<\/em> \/ memme-<\/em> \/ kene<\/em><\/p>\n\n\n\n

Viisivorm (melostroof)<\/strong><\/h3>\n\n\n\n

A <\/em>||<\/strong><\/note> ABB<\/em><\/p>\n\n\n\n

Heliread<\/strong><\/h3>\n\n\n\n

Uuem diatooniline helirida<\/strong><\/p>\n\n\n\n

* Vaikimisi kooriosa piires<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi kirjeldus<\/strong><\/h2>\n\n\n\n

Viisit\u00fc\u00fcp II.E.2.c2 <\/sub><\/strong>on \u00fcks kahest viisist, mis moodustavad r\u00fchma\u00a0II.E.2.c<\/strong><\/a>. R\u00fchma\u00a0II.E.2.c<\/strong><\/a> iseloomustab kahe silbir\u00fctmi mustri \u2013 \uf0ce. \uf0e4 \uf0ce\u00a0 \uf0ce<\/strong><\/note> ja \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5<\/strong><\/note> \u2013 kombineerimine. J\u00e4rgmisel tasandil kuulub viisit\u00fc\u00fcp r\u00fchma II.E.2<\/strong><\/a>, mille tunnuseks on regulaarne neljal\u00f6\u00f6giline meetrum (l\u00f6\u00f6kideks on veerandnoodid), ning k\u00f5rgemal tasandil r\u00fchma\u00a0II.E<\/strong><\/a><\/strong>, kuhu\u00a0on koondatud regulaarse meetrumiga viisid, mille vorm moodustub \u00fchepikkustest kolme- kuni kuuel\u00f6\u00f6gilistest, sageli ka korduvatest vormi\u00fcksustest.<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi II.E.2.c2<\/sub><\/strong> eritunnuseks on selle viisivorm (antud juhul melostroofi vorm), mis koosneb kahest eespool kirjeldatud silbir\u00fctmi fraasist, moodustades struktuuri aabb<\/em>. See t\u00e4hendab, et melostroof algab fraasist \uf0ce. \uf0e4 \uf0ce\u00a0 \uf0ce<\/strong><\/note>, mis k\u00f5lab kaks korda, j\u00e4rgneb fraas \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5<\/strong><\/note> , mida samuti korratakse (vrd sama r\u00fchma viisit\u00fc\u00fcbiga II.E.2.c1<\/sub><\/strong><\/a>, mille struktuur korduva viisirea tasandil on abab<\/em>). Viisi iseloomustab ka harmoonilise r\u00fctmi<\/strong><\/a> (HR) mudel Xxxo Xxoo, mis k\u00f5lab melostroofis neli korda erineva r\u00fctmiga.<\/p>\n\n\n\n

Neljast neljal\u00f6\u00f6gilisest fraasist koosnevale viisile vastab s\u00f5nalises tekstis \u00fcks laiendatud v\u00e4rsirida struktuuriga ab ab abcd abcd<\/em>. Skeem n\u00e4itab, et alguses lauldakse kaks korda esimest poolrida ja seej\u00e4rel kaks korda tervet v\u00e4rsirida: \u201ekuis ma \/ ketr\u00e4, \/ kuis ma \/ ketr\u00e4,<\/em> \/\/ kuis ma \/ ketr\u00e4, \/ memme- \/ kene, \/ kuis ma<\/em> \/ ketr\u00e4,<\/em> \/ memme-<\/em> \/ kene<\/em>\u201c.<\/p>\n\n\n\n

Viisi stiilis ja struktuuris v\u00f5ib oletada uuema vene rahvalaulu m\u00f5ju. Sellele viitab fraaside r\u00fctmiline kontrastsus (n-\u00f6 \u201eaeglane\u201c ja \u201ekiire\u201c r\u00fctm), punkteeritud r\u00fctmi \uf0ce. \uf0e4<\/strong><\/note> kasutamine “aeglases” fraasis ja eeslaulja osa integreeritus melostroofi vormi. Viimase all pean silmas seda, et kirjeldatavas viisis puudub seto vanemale leelole t\u00fc\u00fcpiline eeslaulu ja j\u00e4rellaulu vastandamine \u2013 melostroofi vorm AABB<\/em> on terviklik ning koor mitte ei vastandu eeslauljale oma kordusega, vaid \u201e\u00fchineb\u201c temaga teises fraasis, nagu on tavaline vene rahvalaulus (sama struktuur esineb r\u00fchma II.E.4.a<\/strong><\/a> viisit\u00fc\u00fcpides, samuti viisit\u00fc\u00fcbis II.E.4.b2<\/sub><\/strong><\/a>). Selline vormi- ja r\u00fctmistruktuur meenutab n\u00e4iteks populaarset vene laulu \u201e\u0412\u043e \u043a\u0443\u0437\u043d\u0438\u0446\u0435 \u043c\u043e\u043b\u043e\u0434\u044b\u0435 \u043a\u0443\u0437\u043d\u0435\u0446\u044b\u201c (“Sepikojas noored sepad”).<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi II.E.2.c2<\/sub><\/strong> ainus leitud esitus on uuemas diatoonilises laadis<\/strong><\/a> d-e-fis-G-a-h<\/em>, kusjuures siin on selgesti tunda euroopalikku ma\u017eoori toonika ja dominandi harmooniat.<\/p>\n\n\n\n

Kommentaarid<\/strong><\/h2>\n\n\n\n

Viisit\u00fc\u00fcp II.E.2.c2<\/sub><\/strong> on salvestatud Kreepa Pihlaste ja koori esituses Haudjasaare k\u00fclas 1961. aastal. <\/p>\n\n\n\n

Helisalvestised ja noodistused<\/strong><\/h2>\n\n\n
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  • EKRK, Fon. 24 (6) < Haudjasaare k. – Udo Kolk < Agripina Pihlaste ja koor (1961) [Ketra, Liisu!]<\/em><\/li>\n<\/ul>\n <\/div>\n <\/section>\n","protected":false},"author":4,"featured_media":0,"parent":3536,"menu_order":2,"template":"","meta":{"_acf_changed":false},"class_list":["post-3542","tupoloogia","type-tupoloogia","status-publish","hentry"],"acf":[],"yoast_head":"\n||: Xxxo Xxoo :|| 4 korda. 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