{"id":3541,"date":"2025-01-31T16:29:04","date_gmt":"2025-01-31T14:29:04","guid":{"rendered":"https:\/\/dev.wsys.ee\/seto\/?post_type=tupoloogia&p=3541"},"modified":"2026-02-27T15:44:58","modified_gmt":"2026-02-27T13:44:58","slug":"ooox-oooo-xx-oo-xx-oo-2-korda-kia-kotost-kullakono","status":"publish","type":"tupoloogia","link":"https:\/\/www.folklore.ee\/setoviisid\/tupoloogia\/rutmisusteem-iii\/regulaarse-meetrumiga-viisid\/neljaloogiline-meetrum-4-4\/silbirutm-kombineerib-mustreid-4-8-44-ja-88-88-88-88\/ooox-oooo-xx-oo-xx-oo-2-korda-kia-kotost-kullakono\/","title":{"rendered":"||: Ooox Oooo \u2018 Xx Oo Xx Oo :|| 2 korda. Silbir\u00fctm 4. 8 44 \u2018 88 88 88 88. Ki\u00e4 kotost, kullak\u00f5n\u00f5"},"content":{"rendered":"
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N\u00e4ide.<\/strong> Ki\u00e4 kotost, kullak\u00f5n\u00f5<\/em> (m\u00e4ngulaul), Liidia Auli kooriga, Vorobi k., 1968 (EKRK, Fon. 50 (b5)).<\/p>\n <\/div>\n \n

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Struktuursed tunnused*<\/strong><\/h2>\n\n\n\n

Harmooniline r\u00fctm<\/strong><\/h3>\n\n\n\n

||:<\/strong><\/note> Ooox Oooo \u2018 Xx Oo Xx Oo :||<\/strong><\/note> 2 korda<\/p>\n\n\n\n

Silbir\u00fctm<\/strong><\/h3>\n\n\n\n

||: \uf0ce. \uf0e4\uf0ce  \uf0ce \u2019 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 :|| <\/strong><\/note>2 korda<\/p>\n\n\n\n

                   \uf0ce\uf0e5 \uf0ce   \uf0ce\uf0e5 \uf0ce<\/strong><\/note><\/p>\n\n\n\n

                   \uf0ce   \uf0ce   \uf0ce   \uf0ce<\/strong><\/note><\/p>\n\n\n\n

V\u00e4rsirea ehitus<\/strong><\/h3>\n\n\n\n

Laiendatud v\u00e4rsirida abcdcd<\/em>, r\u00f5huline v\u00e4rss<\/p>\n\n\n\n

ki\u00e4 \/ kotost, \/ kulla- \/ k\u00f5n\u00f5, \/ kulla-<\/em> \/ k\u00f5n\u00f5<\/em><\/p>\n\n\n\n

Viisi ja teksti vorm<\/strong><\/h3>\n\n\n\n

Viis: AA<\/em> (fraaside kaupa abab<\/em>)<\/p>\n\n\n\n

Tekst: AB<\/em><\/p>\n\n\n\n

Heliread<\/strong><\/h3>\n\n\n\n

Uuem diatooniline helirida<\/strong><\/p>\n\n\n\n

* Vaikimisi kooriosa piires<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi kirjeldus<\/strong><\/h2>\n\n\n\n

Viisit\u00fc\u00fcp II.E.2.c1 <\/sub><\/strong>on \u00fcks kahest r\u00fchma II.E.2.c<\/strong><\/a> kuuluvast viisist. R\u00fchma II.E.2.c<\/strong><\/a> iseloomustab kahe silbir\u00fctmi mustri \u2013 \uf0ce. \uf0e4 \uf0ce\u00a0 \uf0ce<\/strong><\/note> ja \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5<\/strong><\/note> \u2013 kombineerimine. J\u00e4rgmisel tasandil kuulub viisit\u00fc\u00fcp r\u00fchma\u00a0II.E.2<\/strong><\/a>, mille tunnusteks on regulaarne neljal\u00f6\u00f6giline meetrum (l\u00f6\u00f6kideks on veerandnoodid), ning k\u00f5rgemal tasandil r\u00fchma II.E<\/strong><\/a><\/strong>, kuhu\u00a0on koondatud regulaarse meetrumiga viisid, mille vorm moodustub \u00fchepikkustest kolme- kuni kuuel\u00f6\u00f6gilistest, sageli ka korduvatest vormi\u00fcksustest.<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi II.E.2.c1<\/sub><\/strong> eritunnuseks on viisivorm, mida v\u00e4ljendab skeem abab<\/em>, kus a<\/em> ja b<\/em> t\u00e4histavad eespool toodud r\u00fchma II.E.2.c<\/strong><\/a> silbir\u00fctmi mustreid. Teisis\u00f5nu k\u00f5lab viisireas kaks korda kahest neljal\u00f6\u00f6gilisest fraasist koosnev silbir\u00fctmi mudel \uf0ce. \uf0e4 \uf0ce\u00a0 \uf0ce \u2019 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5<\/strong><\/note> (samadest r\u00fctmifraasidest koosneva viisit\u00fc\u00fcbi\u00a0II.E.2.c2<\/sub><\/strong><\/a> skeemiks on aabb<\/em>). Viisit\u00fc\u00fcpi II.E.2.c1<\/sub><\/strong> iseloomustab ka harmoonilise r\u00fctmi<\/strong><\/a> (HR) mudel Ooox Oooo \u2018 Xx Oo Xx Oo.<\/p>\n\n\n\n

Viis ja tekst on kaherealised. V\u00e4rsirida on laiendatud teise poolrea kordusega: \u201eki\u00e4 \/ kotost, \/ kulla- \/ k\u00f5n\u00f5, \/ kulla-<\/em> \/ k\u00f5n\u00f5<\/em>\u201c (v\u00e4rsistruktuur abcdcd<\/em>). Laulu esimestes melostroofides kasutatakse poolridu \u201ekullak\u00f5n\u00f5\u201c ja \u201emar\u00b4ak\u00f5n\u00f5\u201c omamoodi refr\u00e4\u00e4nina, mis j\u00e4rgneb p\u00f5hiteksti poolreale, kuid edaspidi hakkab teise poolrea tekst igas reas muutuma. Tegemist on r\u00f5hulise v\u00e4rsiga, mist\u00f5ttu rea teises neljal\u00f6\u00f6gilises fraasis tekivad r\u00fctmivariandid \uf0ce\uf0e5 \uf0ce  \uf0ce\uf0e5 \uf0ce<\/strong><\/note> ja \uf0ce  \uf0ce  \uf0ce  \uf0ce<\/strong><\/note> .<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi II.E.2.c1<\/sub><\/strong> ainus leitud helisalvestus on uuemas diatoonilises laadis<\/strong><\/a> e-fis-G-a-h<\/em>. Sellel on minoorne v\u00e4rving t\u00e4nu astme e<\/em> regulaarsele kasutamisele meloodilises kontekstis, mis viitab laadi \u201etoonikale\u201c.<\/p>\n\n\n\n

Kommentaarid<\/strong><\/h2>\n\n\n\n

Viisit\u00fc\u00fcp II.E.2.c1<\/sub><\/strong> on salvestatud Vorobi k\u00fclas 1968. aastal. Tegemist on m\u00e4ngulauluga \u201eVenna otsimine\u201c, mida esitatakse ka teiste viisit\u00fc\u00fcpidega (vrd n\u00e4iteks viisit\u00fc\u00fcbiga I.C.2.b3<\/sub><\/strong><\/a>, kus refr\u00e4\u00e4ni HR on sarnane \u2013 Xx Oo Xx Oo). Kirjeldatava viisit\u00fc\u00fcbi stiil tundub olevat hilisemat p\u00e4ritolu ning selles v\u00f5ib oletada vene laulude m\u00f5ju \u2013 sellele viitab r\u00fctmiline kontrast fraaside vahel, punkteeritud r\u00fctm \uf0ce. \uf0e4<\/strong><\/note> (vrd r\u00fchma III.A.2<\/strong><\/a> viisidega) ja kill\u00f5le<\/em> ebat\u00fc\u00fcpiline k\u00e4ik h-a-e<\/em>. Viimane on vene rahvalaulus laialt levinud kadents. Viisis leidub ka jagava r\u00fctmi tunnuseid (vt l\u00e4hemalt II.E.2.c<\/strong><\/a>).<\/p>\n\n\n\n

Helisalvestised ja noodistused<\/strong><\/h2>\n\n\n
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  • EKRK, Fon. 50 (b5) < Vorobi k. – Udo Kolk < Liidia Auli, 42 a., Anna M\u00e4nnapuu, 47 a., Leida Tarend, 60 a. (18.07.1968) [Ki\u00e4 kotost, kullak\u00f5n\u00f5, kullak\u00f5n\u00f5?]<\/em><\/li>\n<\/ul>\n <\/div>\n <\/section>\n","protected":false},"author":4,"featured_media":0,"parent":3536,"menu_order":1,"template":"","meta":{"_acf_changed":false},"class_list":["post-3541","tupoloogia","type-tupoloogia","status-publish","hentry"],"acf":[],"yoast_head":"\n||: Ooox Oooo \u2018 Xx Oo Xx Oo :|| 2 korda. Silbir\u00fctm 4. 8 44 \u2018 88 88 88 88. 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