{"id":3414,"date":"2025-01-24T16:06:39","date_gmt":"2025-01-24T14:06:39","guid":{"rendered":"https:\/\/dev.wsys.ee\/seto\/?post_type=tupoloogia&p=3414"},"modified":"2026-02-27T20:44:08","modified_gmt":"2026-02-27T18:44:08","slug":"tekst-ab-abrb-esakene-imakene","status":"publish","type":"tupoloogia","link":"https:\/\/www.folklore.ee\/setoviisid\/tupoloogia\/rutmisusteem-2\/viisirida-88-88-44-22\/mudel-oooo-oooxoooo\/viisivorm-ab-abab\/tekst-ab-abrb-esakene-imakene\/","title":{"rendered":"Tekst AB || ABRB. Es\u00e4kene, im\u00e4kene"},"content":{"rendered":"
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N\u00e4ide. <\/strong>Es\u00e4kene, im\u00e4kene<\/em> (l\u00fc\u00fcrika), Indrek Solovjev kooriga, Merem\u00e4e k., 1999 (CD \u2013 0317 (6)).<\/p>\n <\/div>\n \n

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Struktuursed tunnused*<\/strong><\/h2>\n\n\n\n

Harmooniline r\u00fctm<\/strong><\/h3>\n\n\n\n

||:<\/strong><\/note> Ox\/Oo Ox Ox Oo \u2018 Ox Ox Ooxx Oooo oooo :||<\/strong><\/note><\/p>\n\n\n\n

\u00dcldistatult (veerandnootides):<\/p>\n\n\n\n

||:<\/strong><\/note> OOOO \u2018 OOOXOOOO :||<\/strong><\/note><\/p>\n\n\n\n

Silbir\u00fctm<\/strong><\/h3>\n\n\n\n

\uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \u2019 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce  \uf0ce  \u00d3  \u00d3 \u2019 \uf0ce \uf0ce\uf0e5 \uf0ce \uf0ce\uf0e5 \u2019 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce  \uf0ce  \u00d3  \u00d3<\/strong><\/note><\/p>\n\n\n\n

V\u00e4rsirea ehitus<\/strong><\/h3>\n\n\n\n

Laiendamata regiv\u00e4rss<\/p>\n\n\n\n

sis l\u00e4\u00e4 \/ nurm\u00f5 \/ k\u00fcnde- \/ m\u00e4he<\/p>\n\n\n\n

Refr\u00e4\u00e4n<\/strong><\/h3>\n\n\n\n

Hoi tara, v\u00f5i tara!<\/p>\n\n\n\n

Viisivorm<\/strong><\/h3>\n\n\n\n

Kaherealine viis laiendatud teise reaga ja \u00fcherealise refr\u00e4\u00e4niga kooriosas teise rea korduste vahel<\/p>\n\n\n\n

Viis: AB<\/em> || <\/strong><\/note>ABAB<\/em><\/p>\n\n\n\n

Tekst: AB<\/em> ||<\/strong><\/note> ABRB<\/em><\/p>\n\n\n\n

Heliread<\/strong><\/h3>\n\n\n\n

Anhemitoonilis-diatooniline helirida<\/strong><\/p>\n\n\n\n

* Vaikimisi kooriosa piires<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi kirjeldus<\/strong><\/h2>\n\n\n\n

Viisit\u00fc\u00fcp III.C.1.c2<\/sub><\/strong> kuulub r\u00fchma III.C<\/strong><\/a>, mida iseloomustab silbir\u00fctmi \u00fcldine mudel \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \u2019 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce  \uf0ce  \u00d3  (\u00d3)<\/strong><\/note>. Viisid koosnevad kahest reast, millest esimene on regilaulule omaselt kaheksal\u00f6\u00f6giline ja teine r\u00fctmiliselt laiendatud pikemate silpnootide kasutamise abil. J\u00e4rgmise tasandi r\u00fchma III.C.1<\/strong><\/a>, kuhu viisit\u00fc\u00fcp kuulub, iseloomustab harmoonilise r\u00fctmi<\/strong><\/a> (HR) \u00fcldistatud mudel OOOO \u2019 OOOXOO(OO).<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi III.C.1.c2<\/sub><\/strong> eristav tunnus teiste r\u00fchma III.C.1<\/strong><\/a> viisit\u00fc\u00fcpide seas on viisi vorm AB<\/em> ||<\/strong><\/note> ABAB<\/em> ja teksti vorm AB<\/em> ||<\/strong><\/note> ABRB.<\/em> See t\u00e4hendab, et kooriosas korratakse viisi m\u00f5lemat rida, kusjuures esimest rida lauldakse refr\u00e4\u00e4niga (R<\/em>) ja teist rida p\u00f5hiteksti teise v\u00e4rsireaga (B<\/em>).<\/p>\n\n\n\n

Viisit\u00fc\u00fcp on k\u00e4esoleva t\u00fcpoloogia materjalis esindatud ainult \u00fche esitusega, milleks on Merem\u00e4e k\u00fcla meestelt 1999. aastal salvestatud laul \u201eEs\u00e4kene, im\u00e4kene\u201c. Refr\u00e4\u00e4niks on valitud s\u00f5nad \u201ehoi tara, v\u00f5i tara\u201c, mida sagedamini kasutatakse viisit\u00fc\u00fcbi III.C.1.a2<\/sub><\/strong><\/a> esimeses viisireas. Kirjeldatavas viisit\u00fc\u00fcbis k\u00f5lab refr\u00e4\u00e4n samuti esimese viisireaga teise v\u00e4rsirea korduste vahel (vt melostroofi skeeme eespool). Nii nagu viisit\u00fc\u00fcbis III.C.1.a2<\/sub><\/strong><\/a> on refr\u00e4\u00e4n \u201ehoi tara, v\u00f5i tara\u201c ka siin seotud silbir\u00fctmiga \uf0ce \uf0ce\uf0e5 \uf0ce \uf0ce\uf0e5<\/strong><\/note> . Muus osas j\u00e4lgib silbir\u00fctm eespool toodud r\u00fchma III.C<\/strong><\/a> \u00fcldist skeemi laiendatud viisireaga \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce  \uf0ce  \u00d3   \u00d3<\/strong><\/note>  , mis on kaks korda pikem kui kaheksal\u00f6\u00f6giline esimene viisirida. P\u00f5hiteksti v\u00e4rsistruktuuriks on laiendamata regiv\u00e4rss (murtud v\u00e4rsse ei esine).<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi III.C.1.c2<\/sub><\/strong> HR mudel langeb kokku r\u00fchmale III.C.1<\/strong><\/a> iseloomuliku mudeliga \u2013 kooriosas on see koos kordusega ||:<\/strong><\/note> Ox\/Oo Ox Ox Oo \u2019 Ox Ox Ooxx Oooo oooo :||<\/strong><\/note>. Sellist HR mudelit pean \u00fcsna vanaks (vt III.C.1<\/strong><\/a>), millele osutab ka viisi vanem anhemitoonilis-diatooniline helirida<\/strong><\/a>.<\/p>\n\n\n\n

Kommentaarid<\/strong><\/h2>\n\n\n\n

Laul \u201eEs\u00e4kene, im\u00e4kene\u201c on Setomaal laialt tuntud \u2013 tavaliselt lauldakse seda viisit\u00fc\u00fcbiga II.E.4.a1<\/sub><\/strong><\/a> (\u201eValge j\u00e4nes\u201c jt), mis kuulub suhteliselt uuemate viiside hulka. Kuna kirjeldatav viisit\u00fc\u00fcp on esindatud ainult \u00fche suhteliselt hilise esitusega, siis ei saa v\u00e4listada, et tegemist on uuema loominguga. Ka sel juhul peab tunnistama, et viisi komponeerimisel on kasutatud seto leelo stiilile omaseid v\u00f5tteid. Nii esineb teksti vormAB<\/em> ||<\/strong><\/note> ABRB<\/em> ka m\u00f5nes teises III r\u00fctmis\u00fcsteemi<\/strong><\/a> viisit\u00fc\u00fcbis \u2013 III.B.1.c2<\/sub><\/strong><\/a><\/strong><\/a> (\u201eL\u00e4tsi l\u00e4bi Serga k\u00fcla\u201c jt) ja III.B.2.a3<\/sub><\/strong><\/a> (\u201eKui mu isa \u00e4ra suri\u201c jt). V\u00f5ib oletada ka seda, et mehed kasutavad lauluteksti \u201eEs\u00e4kene, im\u00e4kene\u201c esitamiseks viisit\u00fc\u00fcpi III.C.1.c2<\/sub><\/strong> seet\u00f5ttu, et tegemist on meesteviisiga (vt III.C<\/strong><\/a>), samal ajal kui viisit\u00fc\u00fcp II.E.4.a1<\/sub><\/strong><\/a> on pigem naisteviis.<\/p>\n\n\n\n

Helisalvestised ja noodistused<\/strong><\/h2>\n\n\n
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