{"id":3169,"date":"2024-12-22T16:24:25","date_gmt":"2024-12-22T14:24:25","guid":{"rendered":"https:\/\/dev.wsys.ee\/seto\/?post_type=tupoloogia&p=3169"},"modified":"2025-12-26T20:40:16","modified_gmt":"2025-12-26T18:40:16","slug":"silbirutm-44-88-488-44-44","status":"publish","type":"tupoloogia","link":"https:\/\/www.folklore.ee\/setoviisid\/tupoloogia\/rutmisusteem-iii\/teine-poolrida-4444-ooxx-oooo-xxxx-oooo\/9-loogilised-viisid-54-xx-xxx-oxoo-ja-inversioon\/uldistatud-mudel-xx-xxx-ox-oo\/silbirutm-44-88-488-44-44\/","title":{"rendered":"44 ‘ 88 488 ‘ 44 44 (XX ‘ XXX ‘ OXOO). Pulmalaulud, l\u00fcroeepika jt"},"content":{"rendered":"
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N\u00e4ide 1. <\/strong>H\u00f5imu naase\u2019, h\u00f5p\u00f5 naase\u2019 <\/em>\u00a0(pulmalaul), Anne Vabarna kooriga, Tonja k., 1934 (ERA, Fon. 426 a).<\/p>\n <\/div>\n \n

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N\u00e4ide 2. <\/strong>Praasniga laul <\/em>(peolaul), Irina (Ir\u00b4o) Liivik kooriga, Merem\u00e4e v., 1937 (ERA, Pl. 71 B2).<\/p>\n <\/div>\n \n

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N\u00e4ide 3. <\/strong>L\u00e4tsi tillo, l\u00e4tsi marjam\u00e4ele <\/em>(l\u00fcroeepika), Anne Pai kooriga, Pliia k., 1972 (RKM, Mgn. II 2307 a).<\/p>\n <\/div>\n \n

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N\u00e4ide 4. <\/strong>Vihm ja vaeslaps (l\u00fc\u00fcrika), Veera Lunda leelokooriga \u201eHelmine\u201c, Mikitam\u00e4e k., 1998 (Helmine, CD 1999, nr 3).<\/p>\n <\/div>\n \n

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Struktuursed tunnused*<\/strong><\/h2>\n\n\n\n

Harmooniline r\u00fctm<\/strong><\/h3>\n\n\n\n

Xoxx \u2018 Xx Xxox \u2018 Ooxx Oooo<\/p>\n\n\n\n

Xxxx \u2018 Xo Xxxx<\/p>\n\n\n\n

Xo Xo \u2018 Xo Xxox<\/p>\n\n\n\n

\u00dcldistatult (veerandnootides): <\/p>\n\n\n\n

XX \u2018 XXX \u2018 OXOO<\/p>\n\n\n\n

Silbir\u00fctm<\/strong><\/h3>\n\n\n\n

\uf0ce    \uf0ce   \u2019 \uf0ce\uf0e5 \uf0ce \uf0ce\uf0e5\/\uf0ce \u2019 \uf0ce  \uf0ce  \uf0ce  \uf0ce<\/strong><\/note><\/p>\n\n\n\n

\uf0ce\uf0e5 \uf0ce\uf0e5 \u2019 \uf0ce\uf0e5 \uf0ce.  \uf0e4<\/strong><\/note> (erand)<\/p>\n\n\n\n

Meetrumimudel (veerandnootides)<\/strong><\/h3>\n\n\n\n

2 + 3 + 4<\/p>\n\n\n\n

V\u00e4rsirea ehitus<\/strong><\/h3>\n\n\n\n

Laiendatud regiv\u00e4rss aab<\/u>cd<\/em>:<\/p>\n\n\n\n

vihma-, \/ vihma-<\/em> \/ k\u00f5n\u00f5, sa<\/em> \/ noor\u00f5- \/ k\u00f5n\u00f5<\/p>\n\n\n\n

Viisivorm<\/strong><\/h3>\n\n\n\n

\u00dcherealine vorm: siselaiendusega viisirida<\/p>\n\n\n\n

Heliread<\/strong><\/h3>\n\n\n\n

Pooltoon-poolteisttoon-helirida (ka osaliselt diatoniseeritud), uuema diatoonilise ja pooltoon-poolteisttoon-helirea segavorm, uuem diatooniline helirida<\/strong><\/p>\n\n\n\n

* Vaikimisi kooriosa piires<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi kirjeldus<\/strong><\/h2>\n\n\n\n

Viisit\u00fc\u00fcp\u00a0II.C.2.a1<\/sub><\/strong>\u00a0on \u00fcks kahest viisit\u00fc\u00fcbist r\u00fchmas II.C.2.a<\/strong><\/a>, mida iseloomustab harmoonilise r\u00fctmi<\/strong><\/a>\u00a0(HR) \u00fcldistatud mudel XX \u2018 XXX \u2018 OXOO (veerandnoodid). R\u00fchm II.C.2.a<\/strong><\/a> kuulub omakorda r\u00fchma II.C.2<\/strong><\/a>, mis \u00fchendab \u00fcheksal\u00f6\u00f6gilisi viise, kus veerandnoodi pikkused l\u00f6\u00f6gid moodustavad meetrilise struktuuri 2 + 3 + 4. \u00dcldisemalt kuulub kirjeldatav viis aga r\u00fchma\u00a0II.C<\/strong><\/a>, mis koondab viise, kus teise poolrea (kadentsi) silbir\u00fctm on\u00a0\uf0ce\u00a0 \uf0ce\u00a0 \uf0ce\u00a0 \uf0ce<\/strong><\/note> . Kadentsi HR on muutlik \u2013 lisaks sageli (sh k\u00e4esolevas II.C.2.a1<\/sub><\/strong> t\u00fc\u00fcbis) esinevale \u00fcldistatud mudelile OXOO leidub ka muid variante.<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi II.C.2.a1<\/sub><\/strong> silbir\u00fctmi mudel on \uf0ce\u00a0 \uf0ce \u2019 \uf0ce\uf0e5 \uf0ce \u00a0\uf0ce\uf0e5 \u2019 \uf0ce \u00a0\uf0ce\u00a0 \uf0ce\u00a0 \uf0ce<\/strong><\/note>, mis eristab siinset t\u00fc\u00fcpi r\u00fchma II.C.2.a<\/strong><\/a> teisest viisit\u00fc\u00fcbist II.C.2.a2<\/sub><\/strong><\/a> (viiside silbir\u00fctmi mudelite v\u00f5rdlust vt\u00a0II.C.2<\/strong><\/a>). Vastavalt viisirea r\u00fctmistruktuurile laiendatakse v\u00e4rsirida esimese r\u00f5hur\u00fchma kordusega, lisaks sellele laiendatakse lisasilbiga sageli ka teist r\u00f5hur\u00fchma \u2013 n\u00e4iteks \u201evihma-, \/ vihma-<\/em> \/ k\u00f5n\u00f5, sa<\/em> \/ noor\u00f5- \/ k\u00f5n\u00f5\u201c (v\u00e4rsirea struktuur aab<\/u>cd<\/em>). Kirjeldatavas viisit\u00fc\u00fcbis kasutatakse ka II r\u00fctmis\u00fcsteemis<\/strong><\/a> laiemalt levinud viisivormi kujundamise v\u00f5tet \u2013 viisi alguses on meetrumir\u00fchm\u00a0\uf0ce\u00a0 \uf0ce<\/strong><\/note> (harmoonilise r\u00fctmiga XX) ja sellele j\u00e4rgneb tsesuur. Selliseid viise leidub r\u00fchmades II.A<\/strong><\/a>,\u00a0II.B<\/strong><\/a>\u00a0ja\u00a0II.C<\/strong><\/a>.<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi II.C.2.a1<\/sub><\/strong> esitustes esineb p\u00e4ris palju arhailist pooltoon-poolteisttoon-laadi<\/strong><\/a>. Diatoniseerimisel muutub see uuemaks diatoonikaks<\/strong><\/a>, sageli tekivad ka vahepealsed helirea struktuurid.<\/p>\n\n\n\n

Kommentaarid<\/strong><\/h2>\n\n\n\n

Viisit\u00fc\u00fcp II.C.2.a1<\/sub><\/strong> on seto leelo traditsioonis h\u00e4sti tuntud ning sellest on palju helisalvestisi, mis p\u00e4rinevad Setomaa erinevatest piirkondadest. Viisi kasutatakse tihti l\u00fcroeepilistes ja l\u00fc\u00fcrilistes lauludes ning improvisatsioonides, aga ka tavandilauludes.<\/p>\n\n\n\n

Helisalvestised ja noodistused<\/strong><\/h2>\n\n\n
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