{"id":2650,"date":"2024-10-28T18:40:44","date_gmt":"2024-10-28T16:40:44","guid":{"rendered":"https:\/\/dev.wsys.ee\/seto\/?post_type=tupoloogia&p=2650"},"modified":"2026-02-27T18:21:41","modified_gmt":"2026-02-27T16:21:41","slug":"xo-xx-xx-oo-vorm-arr-arr-hots-kalina","status":"publish","type":"tupoloogia","link":"https:\/\/www.folklore.ee\/setoviisid\/tupoloogia\/rutmisusteem-2\/reakordused-ja-luhiread\/reakordused-erilise-rutmiga-mitmeosalised-refraanid\/mudeli-oo-xo-xx-oo-rutmilised-variandid-linamang\/xo-xx-xx-oo-vorm-arr-arr-hots-kalina\/","title":{"rendered":"||: Xo Xx Xx Oo :|| Vorm ARR || ARR. Hots\u00b4 kalina"},"content":{"rendered":"
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N\u00e4ide.<\/strong> Hots\u00b4 kalina <\/em>(l\u00fc\u00fcrika), Anne Vabarna kooriga, Tonja k., 1949 (KKI, RLH 49:5 (18)).<\/p>\n <\/div>\n \n

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Struktuursed tunnused<\/strong><\/h2>\n\n\n\n

Harmooniline r\u00fctm (melostroof)<\/strong><\/h3>\n\n\n\n

||:<\/strong><\/note> Xo Xx Xx Oo :||<\/strong><\/note> 6 korda<\/p>\n\n\n\n

Silbir\u00fctm<\/strong><\/h3>\n\n\n\n

Rida:<\/p>\n\n\n\n

\uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5<\/strong><\/note><\/p>\n\n\n\n

\uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce<\/strong><\/note><\/p>\n\n\n\n

\uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce   \uf0ce<\/strong><\/note><\/p>\n\n\n\n

\uf0ce\uf0e5 \uf0ce\uf0e5 \uf0ce   \uf0ce\uf0e5<\/strong><\/note><\/p>\n\n\n\n

Refr\u00e4\u00e4n:<\/p>\n\n\n\n

\uf0ce  \uf0ce. \uf0e4 \uf0ce<\/strong><\/note><\/p>\n\n\n\n

Meetrumimudel (rida, refr\u00e4\u00e4n)<\/strong><\/h3>\n\n\n\n

2 + 2 + 2 + 2<\/p>\n\n\n\n

V\u00e4rsirea ehitus<\/strong><\/h3>\n\n\n\n

Laiendamata kaheksapositsiooniline v\u00e4rss, m\u00f5nes esituses r\u00f5huliste l\u00fchiridadega<\/p>\n\n\n\n

mis meil \/ viga \/ veer\u00e4- \/ tell\u00e4<\/p>\n\n\n\n

minno_ks \/ lotas \/ loe- \/ tas<\/p>\n\n\n\n

Refr\u00e4\u00e4n<\/strong><\/h3>\n\n\n\n

Hots\u00b4 kalina, hots\u00b4 malina!<\/p>\n\n\n\n

Viisi ja teksti vorm (melostroof)<\/strong><\/h3>\n\n\n\n

Viis:  ARR<\/u><\/em> ||<\/strong><\/note> ARR<\/u>  <\/em>(R <\/em>on A <\/em>r\u00fctmiline variant)<\/p>\n\n\n\n

Tekst: ARR<\/u><\/em> ||<\/strong><\/note> ARR<\/u>  <\/em><\/p>\n\n\n\n

Heliread<\/strong><\/h3>\n\n\n\n

Pooltoon-poolteisttoon-helirida, uuem diatooniline helirida<\/p>\n\n\n\n

Viisit\u00fc\u00fcbi kirjeldus<\/strong><\/h2>\n\n\n\n

Viisit\u00fc\u00fcp III.A.2.b1<\/sub><\/strong> kuulub r\u00fchma III.A.2.b<\/strong><\/a>, mida iseloomustab silbir\u00fctmi mustri \uf0ce  \uf0ce. \uf0e4 \uf0ce<\/strong><\/note> (v\u00f5i \uf0ce. \uf0e4 \uf0ce  \uf0ce<\/strong><\/note>) kasutamine. K\u00f5rgemal tasandil kuulub viisit\u00fc\u00fcp r\u00fchma III.A<\/strong><\/a>, mille tunnusteks on laiendamata (sageli r\u00f5huline) kaheksapositsiooniline v\u00e4rss; viisivorm, mis p\u00f5hineb \u00fche ja sama harmoonilise r\u00fctmiga<\/strong><\/a> (HR) rea kordustel; sama HR mudeli kasutamine p\u00f5hiridades ja refr\u00e4\u00e4nides; kaheksapositsioonilised l\u00fchi- ja (harvemini) pikad read tekstis ja vastavad silbir\u00fctmi mustrid. Kuulumine j\u00e4rgmise tasandi r\u00fchma III.A.2<\/strong><\/a> t\u00e4hendab, et viisit\u00fc\u00fcbile on iseloomulik ka punkteeritud r\u00fctmi \uf0ce. \uf0e4<\/strong><\/note> kasutamine mitmeosaliste refr\u00e4\u00e4nide silbir\u00fctmis. R\u00fchma <\/a>III.A.2<\/strong><\/a> <\/strong>eritunnus, mis r\u00fchma <\/a>III.A.2.b<\/strong><\/a><\/strong> viisidest puudub, on viisirea pikkuse varieerimine refr\u00e4\u00e4nides \u2013 vaatamata spetsiifilisele r\u00fctmile on viisit\u00fc\u00fcbi III.A.2.b1<\/sub><\/strong> refr\u00e4\u00e4niread v\u00e4rsiridadega \u00fchepikkused.<\/p>\n\n\n\n

Viisit\u00fc\u00fcp III.A.2.b1<\/sub><\/strong><\/strong>\u00a0kujutab endast l\u00fchimat versiooni laulust refr\u00e4\u00e4niga \u201ehots\u00b4 kalina, hots\u00b4 malina\u201c (vrd viisit\u00fc\u00fcpidega III.A.2.b2<\/sub><\/strong><\/a>\u00a0ja III.A.2.b3<\/sub><\/strong><\/a>). Selle teksti- ja viisivormi v\u00f5ib t\u00e4histada ARR<\/u><\/em> ||<\/strong><\/note> ARR<\/u><\/em>. T\u00e4ht\u00a0A<\/em>\u00a0vastab \u201etavalise\u201c r\u00fctmiga ridadele (kaheksast silpnoodist koosnevatele ja l\u00fchiridadele) ning\u00a0R<\/em>\u00a0t\u00e4histab neljast silpnoodist koosnevaid ridu r\u00fctmiga\u00a0\uf0ce \u00a0\uf0ce. \uf0e4 \uf0ce<\/strong><\/note>\u00a0<\/strong>. Seejuures on R<\/em> muusikalises m\u00f5ttes A<\/em> r\u00fctmiline variant, kuna HR on neil \u00fchine.<\/p>\n\n\n\n

Viisit\u00fc\u00fcp\u00a0III.A.2.b1<\/sub><\/strong><\/strong>\u00a0p\u00f5hineb HR mudeli Xo Xx Xx Oo kordamisel (selles suhtes on kirjeldatav viisit\u00fc\u00fcp v\u00e4ga sarnane viisit\u00fc\u00fcbiga III.A.2.b2<\/sub><\/strong><\/a><\/strong><\/a>). Anne Vabarna ja tema koor laulavad viisi pooltoon-poolteisttoon-helireaga<\/strong><\/a> (vt n\u00e4idet). Meeste esituses k\u00f5lab see uuema diatoonilise helireaga<\/strong><\/a> (ERA, Fon. 58 b). Esineb ka nende heliridade segavormi<\/strong><\/a> (RKM, Mgn. II 2265 c).<\/p>\n\n\n\n

Nagu r\u00fchma III.A<\/strong><\/a> tervikuna, iseloomustab ka viisit\u00fc\u00fcpi III.A.2.b1<\/sub><\/strong><\/strong> kaheksapositsioonilise r\u00f5hulise v\u00e4rsi, sealhulgas l\u00fchiridade kasutamine. Erinevates esitustes on neil erinev osakaal (n\u00e4ites toodud Vabarna esituses l\u00fchiridu ei ole, kuid m\u00f5nes teises esituses, n\u00e4iteks RKM, Mgn. II 2265 c, on neid p\u00e4ris palju). L\u00fchiridu sobitatakse kaheksal\u00f6\u00f6gilise viisireaga (meetrumimudeliga 2 + 2 + 2 + 2) ja selle tulemusena tekivad kaheksandik- ja veerandnootidest koosnevad silbir\u00fctmi mustrid (need on v\u00e4lja kirjutatud eespool). Laulu \u201emotoorsest\u201c esitusmaneerist, r\u00fctmiv\u00e4ltuste proportsionaalsusest ja veerandnootidega refr\u00e4\u00e4nist tuleneb viisit\u00fc\u00fcbi kahetasandiline meetrumipulsatsioon, mis on samuti iseloomulik r\u00fchmale III.A<\/strong><\/a> <\/strong>tervikuna.<\/p>\n\n\n\n

Kommentaarid<\/strong><\/h2>\n\n\n\n

Laulud refr\u00e4\u00e4niga \u201ehots\u00b4 kalina, hots\u00b4 malina\u201c kuuluvad meelelahutuslikku repertuaari. Neid laulsid nii naised kui ka mehed. Viisit\u00fc\u00fcpi III.A.2.b1<\/sub><\/strong><\/strong> kuulub t\u00fcpoloogia materjalis neli helisalvestist, mis on tehtud 1912. ja 1972. aasta vahel. Laulude tekstid on erineva sisuga. Refr\u00e4\u00e4ni s\u00f5nad on laenatud vene rahvalauludest, ent viisi stiil on t\u00fc\u00fcpiline seto leelole (v\u00e4lja arvatud ehk refr\u00e4\u00e4ni r\u00fctm).<\/p>\n\n\n\n

Helisalvestised ja noodistused<\/strong><\/h2>\n\n\n
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  • ERA, Fon. 58 b < Merem\u00e4e v., Jermakova k. – Armas Otto V\u00e4is\u00e4nen < Maksi Mihail, 63 a., ja koor (1912)<\/li>\n
  • KKI, RLH 49:4 (12) < Tonja k. < Anne Vabarna (1949) [Hoots kalina]<\/em><\/li>\n
  • KKI, RLH 49:5 (18) < Tonja k. < Anne Vabarna (1949) [Hoots kalina]<\/em><\/li>\n
  • RKM, Mgn. II 2265 c < P\u00f5lva raj., Mikitam\u00e4e kn., M\u00e4e v., R\u00e4\u00e4solaane k. – Urve Lippus < Vaida Toobre, 71 a.,\u00a0 ja koor (1972) [Minno_ks lotas loetas]<\/em><\/li>\n<\/ul>\n <\/div>\n <\/section>\n","protected":false},"author":4,"featured_media":0,"parent":2149,"menu_order":1,"template":"","meta":{"_acf_changed":false},"class_list":["post-2650","tupoloogia","type-tupoloogia","status-publish","hentry"],"acf":[],"yoast_head":"\n||: Xo Xx Xx Oo :|| Vorm ARR || ARR. 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