What Did Rock Carvings Look Like in Prehistoric Times?


      Erkki Luoma-aho
There are two different types of prehistoric rock art: carved or painted images. Rock paintings are usually situated in caves or on vertical cliffs that are protected from above by a shelter. Rock carvings, on the other hand, can usually be found on horizontal or only slightly inclined surfaces.
      These two categories of art do not have any clear mutual connection. It is not known why only paintings and not a single carving has been found in Finland while the eastern areas, just beyond the present-day border, are rich in carvings, but there are no paintings found there. Both carvings as well as paintings can be found in areas to the west of Finland.
     The depth of incisions of rock carvings may reach 0.5 cm, but usually they are only 1_2 mm deep. Therefore they can only be seen with a favourable oblique light. The sites of rock image were probably holy places for prehistoric societies. This theory is supported by the archaeological findings, although the poor visibility of carvings contradicts this statement to a certain extent. However, those that can be enhanced by the light of the setting sun usually form a unique sight even today.
     
      At some sites (for example in Scandinavia) rock carvings have been overpainted with red ochre to make them clearly visible to visitors. Some traces of ancient paint provides evidence that rock carvings were also originally painted, but the pigments have faded away on horizontal or inclined surfaces over the course of time.
      With the material exhibited here I have attempted to show how rock carvings may have looked just after their creation. The colours I have used _ red, yellow and orange _ are the most widespread colours used in prehistoric rock paintings. The painters of that time used fat, blood and egg protein to fix the pigments. I have composed my painting using a more modern technique: Photoshop software and a colour printer.
      I took the pictures myself for this exhibition called "Elks and Men _ Rock Art from the Alps and Siberia" during my visits to the Tom and Yenisei rivers in Siberia in 2000 (sites: Tomskaya Pisanitsa, Tutalskaya, Novoromanovskaya, Sulekskaya, Boyarskaya, Oglakhty, Kazanovka) and to Val Camonica (sites: Bedolina, Luine, Foppe di Nadro, Nquane, Paspardo, Sellero) in the Italian Alps in 2001.
     
     Opetushallitus utbildningsstyrelsen
     Hakaniemenkatu 5, PL 380
     00531 Helskinki
     Finland
     Phone: +90-7747-7712
     Erkki.Luoma-aho@oph.fi